Identity area
Reference code
Title
Date(s)
- c.1955 (Creation)
Level of description
Extent and medium
1 volume
Context area
Name of creator
Administrative history
The Grand Opera House is located in Cumberland Street, York and was originally built in 1868 as a corn exchange and warehouse. It was converted into a theatre at the instruction of owner William Peackock in 1902. The Peacock family continued to own the theatre up until 1945, and staged a variety of different productions, including Music Hall, Pantomime, Variety, Opera, Plays and some of the early silent films.
In 1903 the theatre was renamed the Grand Opera House and Empire, apparently so that smoking would still be allowed in the auditorium (it was not allowed in serious theatres of the time).
The theatre closed in 1956 due to the entertainment tax and the rise of television. It was later purchased in 1958 by a Mr Shepherd, and renamed the S S Empire. Following refurbishment, the space was used for roller skating, dancing, bingo and wrestling. In 1987 the theatre was purchased again and returned to a live theatre.
The theatre was purchased by the Ambassador Theatre Group in November 2009.
Repository
Content and structure area
Scope and content
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Open
Material is available subject to the usual terms and conditions of access to Archives and Local History collections.
Conditions governing reproduction
Images are supplied for private research only at the Archivist's discretion. Please note that material may be unsuitable for copying on conservation grounds. Researchers who wish to publish material must seek copyright permission from the copyright owner.
Language of material
- English
Script of material
Language and script notes
Finding aids
Allied materials area
Existence and location of originals
Explore York
1169
Existence and location of copies
Related units of description
Material is held at the Print Museum in London.
Publication note
Copyright is held by CYC, with the exclusion of the rights in the Delittle typefaces themselves. Permission to exploit the typefaces should be referred to the donor.