Black and white photograph of the detailing above St Margaret's Church porch.
Black and white photograph of St Margaret's Church medieval floor slab taken from above.
Black and white photograph of the porch of St Margaret's Church in the Valentine Series.
Black and white photograph of the porch of St Margaret's Church in the Valentine Series.
Black and white photograph (Yorkshire Evening Press Copyright Photo).
Black and white photograph of the porch of St. Margaret's Church after restoration.
By J. Le Keux.
Black and white photograph of the doorway of St. Margaret's Church.
Black and white photograph of the tower of St. Micheal le Belfry with the Minster in the background.
Black and white drawing of St. Michael's Church from Monkhouse and Bedford.
Black and white drawing of St. Michael's Church from Monkhouse and Bedford.
Black and white photograph of interior showing the reredos.
The seat of John Smyth Esquire. Black and white engraving by T. Malton del., W. Watts sculp. Published as the Act directs, May 20th, 1786, by W. Watts, Chealsea.
From J B Morrell, 'City of our Dreams'.
Black and white photograph of St. Maurice's Church from a street view.
Black and white photograph of a drawing of St. Maurice's Church.
Black and white sketch of St. Maurice's Church from Monkgate.
Black and white sketch of St. Maurice's Church from a north east view.
Black and white photograph of St. Maurice's Church from a street view.
Black and white photograph from Royal Commission on Historical Monuments of St. Maurice's Church.
The seat of John Hatfield Kaye Esquire. Black and white engraving by T. Malton delt., W. Watts sculpt. Published as the Act directs, May 1st, 1780, by W. Watts, Kemp's Row, Chealsea.
Black and white sketch of St. Maurice's Church.
Black and white photograph from Royal Commision on Historical Monuments (England) of a detail of an angle holding a shield.
Black and white photograph from Royal Commision on Historical Monuments (England) of a interior view of St. Mary's Church looking east.
Black and white photograph from Royal Commision on Historical Monuments (England) of a window on the south side elevation.
Black and white photograph from Royal Commision on Historical Monuments (England) of interior view of St. Mary's looking west.
Black and white photograph from Royal Commission on Historical Monuments (England) of the misericord.
Photograph from Royal Commission on Historical Monuments (England) of diagram No. 1 Ground Plan of St. Mary's Church Castlegate York. The photographs were taken for proposed restoration, and the original diagrams are held by the Borthwick Institute.
Photograph from Royal Commission on Historical Monuments (England) of diagram No. 2 of St. Mary's Church Castlegate York. The photographs were taken for proposed restoration, and the original diagrams are held by the Borthwick Institute.
The seat of Edwin Lascelles Esquire. Black and white engraving by M. A. Rooker pinxt., W. Watts sculpt. Published as the Act directs, April 1st, 1779, by W. Watts, Kemp's Row, Chealsea.
Photograph from Royal Commission on Historical Monuments (England) of diagram No. 4 of St. Mary's Church, Castlegate York. The photographs were taken for proposed restoration, and the original diagrams are held by the Borthwick Institute.
Photograph from Royal Commission on Historical Monuments (England) of diagram No. 3 of St. Mary's Church, Castlegate York. The photographs were taken for proposed restoration, and the original diagrams are held by the Borthwick Institute.
Black and white photograph from Royal Commission on Historical Monuments (England) of the misericord.
Black and white photograph from Royal Commission on Historical Monuments (England) of the misericord.
Black and white photograph from Royal Commission on Historical Monuments (England) showing cross fragments.
Black and white photograph from Royal Commisson on Historical Monuments (England), showing cross fragments.
Black and white photograph from Royal Commisson on Historical Monuments (England), showing the window on the south elevation.
Black and white photograph from Royal Commisson on Historical Monuments (England), showing the detail of an angel with a shield.
Black and white photograph from Royal Commisson on Historical Monuments (England), showing the detail of an angel with a shield.
Black and white photograph from Royal Commisson on Historical Monuments (England), showing the spire and tower from the south east.
Black and white photograph from Royal Commisson on Historical Monuments (England), showing the building from the south east.
From Royal Commission on Historical Monuments (England). Signed William Haynes.
Black and white Line drawing from York City Library print Collection.
Pulpit possibly that from St Mary's Castlegate when located in the Methodist New Connexion lecture room.
Black and white image from magazine cutting from J. B. Morrell's 'City of our Dreams.' Duplicate of PHO/3/2615.
Black and white print of drawing from York City Library Print Collection.
Item pictured now at St Clements. Black and white photo by the Northern Echo, Darlington.
Black and white photo by the Northern Echo, Darlington.
The seat of Sir John Coghill. Black and white engraving by N. T. Dall pinxt, W. Angus sculpt. Published as the Act directs April 1, 1788, by W. Angus, No. 4 Gurynne's Buildings, Islington.
Black and white photo by the Northern Echo, Darlington.
Black and white photo by York Public Library Reference Department.
Black and white photo by York Public Library Reference Department.
Black and white photo by York Public Library Reference Department.
By Yorkshire Gazette, from York City Library Print Collection.
From York City Library Print Collection.
Photo by York City Library Print Collection.
Photo by York City Library Print Collection.
Photo by York City Library Print Collection.
Black and white photograph (Aerofilms A186840). Aerial view.
Second window from east, south side detail. Black and white photo by Royal Commission on Historic Monuments (England).
Detail of window in north wall. Black and white photo by Royal Commission on Historic Monuments (England).
Stained glass tracery. Image by Royal Commission on Historical Mouments (England).
Stained glass tracery. Image by Royal Commission on Historical Mouments (England).
Stained glass tracery. Image by Royal Commission on Historical Mouments (England).
Stained glass tracery. Image by Royal Commission on Historical Mouments (England).
Carved head facing north east on column at the west end. Black and white photo by Royal Commission on Historic Monuments (England).
South Aisle 2nd window from east stained glass. Black and white photo by Royal Commission on Historic Monuments (England).
Carved stone inset in north wall at east end. Black and white photo by Royal Commission on Historic Monuments (England).
Carved stone inset in north wall at east end. Black and white photo by Royal Commission on Historic Monuments (England).
Black and white photograph (Aerofilms A186839). Aerial view.
Interior from the west. Black and white photo by Royal Commission on Historic Monuments (England).
Photo of painting by Wainsley now in York Art Gallery. Black and white photo by Royal Commission on Historic Monuments (England).
Black and white photo by Royal Commission on Historic Monuments (England).
Stowe tablet with brasses on north wall. Black and white photo by Royal Commission on Historic Monuments (England).
Brass Christ monument to Christopher Harrington. Black and white photo by Royal Commission on Historic Monuments (England).
Flagon. Black and white photo by Royal Commission on Historic Monuments (England). Reverse of PHO/3/2593.
Flagon. Black and white photo by Royal Commission on Historic Monuments (England).
Leather altar cover (infra red image). Black and white photo by Royal Commission on Historic Monuments (England).
Leather altar cover. Black and white photo by Royal Commission on Historic Monuments (England). Duplicate of PHO/3/2589.
Altar rails from the south. Black and white photo by Royal Commission on Historic Monuments (England).
The seat of the Right Honourable the Earl of Carlisle. Black and white engraving, drawn by W. [William] Daniell, R.A. and engraved by J. Redaway.
Leather altar cover. Black and white photo by Royal Commission on Historic Monuments (England).
Altar rails. Black and white photo by Royal Commission on Historic Monuments (England).
East end from gallery. Black and white photo by Royal Commission on Historic Monuments (England).
Reredos and altar rails from pulpit. Black and white photo by Royal Commission on Historic Monuments (England).
Reredos and altar rails from gallery. Black and white photo by Royal Commission on Historic Monuments (England).
Window on north side of church. Black and white photo by Royal Commission on Historic Monuments (England).
Capital and Spandrel of central pier. Black and white photo by Royal Commission on Historic Monuments (England).