Showing 3374 results

Black and white image of stained glass - kneeling man in armour, with dog at his side (donor figure?). On the reverse is a note from 'H.R.' to J A Knowles, thanking him for his letter and recommending a reference book called Athena. Postmarked Croydon 10 Dec 1925.

Sepia image of a stained glass window from St-Etienne-du-Mont. Reverse blank.

Black and white image of stained glass from St-Julien - image of Louis III at prayer. Reverse blank.

Colour image of stained glass panel - The arms of the Tudors, from the Victoria and Albert Museum. Reverse blank.

Black and white image of crowned, haloed female figure (St Helena?). German caption. Reverse blank.

Black and white photo of Judgement Day window, from St-Etienne Church. On the reverse (addressed to JA Knowles), is 'Viewing glass here is a duty/and some glass here has its beauty/here on some day we might confer/For the present adieu dear Sir'. Drawn face/caricature for signature? Postmarked 29 September. French.

Black and white image of stained glass window from Valleyres-sous-Rances, by Clément Heaton, 1911 - the women at the tomb at the Resurrection. Reverse blank.

Sepia photo of stained glass window from Seville Cathedral, depicting St Mary, surrounded by praying apostles. On reverse is a note to JA Knowles - 'meilleurs voeux pour 1956'. Postmarked Bruxelles, December 1955.

Marked 'HT7.'

Black and white photo - part of stained glass window from Le Mans, depicting St Valerie (probably St Valeria of Milan) gesturing before hooved animal on altar. Reverse blank.

Black and white photo of founder's window from Gresham's School chapel. Reverse contains a note to JA Knowles from Reginald Bell of London, thanking him for his card - 'I have pacified my father'. Postmarked 19 April 1926.

Sepia photo of stained glass window from Sainte-Chapelle. On reverse is a note from JB Himsworth to JA Knowles, thanking Knowles for 'yours' and 'April number' - presumably referring to a journal. Postmarked 17 April 1928.

Sepia image of Burne-Jones Window from Jesus College Chapel, Cambridge. On back: note from 'JK?MK?' to JA Knowles confirming receipt of translation; also 'please thank Dad for the papers' - could be from Millward, or one of the Knowles sisters (possibly Jane? - compare similar handwriting KNO/24/1993) Postmarked 27 June 1928.

Sepia photo of Great West Window, York Minster. Reverse blank.

Sepia photo of Magdalen College Chapel Window, Oxford, depicting the Last Judgement. Reverse blank.

Sepia postcard of seven lights depicting female saints, from New College Chapel window, Oxford. Reverse blank.

Sepia postcard, depicting the New College Chapel window, designed by Sir Joshua Reynolds. Reverse blank.

Stained glass from Le Mans, depicting the decapitation of St Protais. Reverse blank.

Black and white image of stained glass panel, showing St Paul standing under guard in front of Felix. Captioned 'Chelsea Old Church, 17th Cent Flemish Glass, copyright. St Paul before Felix'. Reverse blank.

Marked 'H96.'

Black and white image of stained glass panel, showing Jehosaphat, in armour, with helmet removed, kneeling on hillside in front of tent. Captioned 'Chelsea Old Church, 17th Cent Flemish Glass, copyright. Jehoshaphat'. Reverse blank.

Black and white image of stained glass panel, showing Jesus praying in garden of Gethsemane while apostles sleep around him. Captioned 'Chelsea Old Church, 17th Cent Flemish Glass, copyright. Gethsemane'. Reverse blank.

Black and white image of stained glass panel, showing Onias (kneeling, bearded man, swinging thurible.). Captioned 'Chelsea Old Church, 17th Cent Flemish Glass, copyright. Onias' - Reverse blank.

Black and white image of stained glass panel, showing two men in armour, one stabbing the other (presumably Joab stabbing Abner) captioned 'Chelsea Old Church, 17th Cent Flemish Glass. Copyright. Joab and Abner', Reverse blank.

Black and white image of stained glass panel, showing man in armour with shield in foreground, armed men retreating in fear in background, Captioned 'Chelsea old church, 17th cent Flemish Glass. Copyright. Jonathan Maccabaeus', Reverse blank.

Two lights of no 6 stained glass window from Lady Chapel, Liverpool Cathedral - two female saints (Anne and Mary Magdalene?). Reverse blank.

Two lights of no 7 stained glass window from Lady Chapel, Liverpool Cathedral - two female saints (Perpetua and Cecilia?). Reverse blank.

Two lights of no 11 stained glass window from Lady Chapel, Liverpool Cathedral - two female saints. Reverse blank.

Two lights of no 4 stained glass window from Lady Chapel, Liverpool Cathedral - two female saints. Reverse blank.

Two lights of no 3 stained glass window from Lady Chapel, Liverpool Cathedral - two female saints. Reverse blank.

Marked 'H94.'

Two lights of no 2 stained glass window from Lady Chapel, Liverpool Cathedral - two female saints. Reverse blank.

Two lights of no 5 stained glass window from Lady Chapel, Liverpool Cathedral - two female saints. Reverse blank.

Two lights of no 1stained glass window from Lady Chapel, Liverpool Cathedral - two female saints (Mary and ?Bertha?). Reverse blank.

Two lights of no 9 stained glass window from Lady Chapel, Liverpool Cathedral - two female saints (Alexandra and unidentified). Reverse blank.

Two lights of stained glass window from Lady Chapel, Liverpool Cathedral - two female saints, one holding palm and book, one leading a lion by the mane (St Justa and Rufina?). Reverse blank.

Two lights of no. 3 stained glass window from Lady Chapel, Liverpool Cathedral, depicting 'notable women': Christina Rossetti, Margaret Beaufort, Elizabeth Barrett Browning, Anne Clough. Reverse blank.

Stained glass section from Le Mans, depicting two saints (one young, one old and bearded). Reverse blank.

Stained glass section from Le Mans, depicting two saints (male and female?). Reverse blank.

Stained glass from Le Mans, depicting St Vitalis half-submerged in well?/tomb?, with crowd of people poised to throw stones at him. Reverse blank.

Stained glass from Le Mans - two panels, depicting a man with a sword and a king. Reverse blank.

Two more lights of no. 2 stained glass window from Lady Chapel, Liverpool Cathedral, depicting more 'notable women': Charlotte Stanley, Angela Burdett-Coutts, Queen Victoria and Catherine Gladstone. Reverse blank.

Two lights of no. 1 stained glass window from Lady Chapel, Liverpool Cathedral, depicting 'notable women': Julian of Norwich, Elizabeth Fry, Susanna Wesley and Josephine Butler. Reverse blank.

Two lights of a stained glass window from the Lady Chapel, Liverpool Cathedral. Reverse blank.

Postcard of stained glass from Le Mans, depicting an unknown saint (figure at prayer, person standing over them with club). Reverse blank.

Postcard of stained glass from Le Mans, depicting St Gervais and St Protais, standing , beside figure with hammer. Reverse blank.

Postcard of stained glass from Le Mans, depicting St Gervais and St Protais, in coffin together with armed men standing over them. On back, note to JAK from JB Hunsworth(?), thanking Knowles for a journal, and mentioning Hunsworth's upcoming address to Sheffield Rotary club. Postmarked Sheffield 4th Oct 1928.

Postcard depicting stained glass from Le Mans, depicting Louis d'Anjou, praying. Reverse blank.

Postcard depicting stained glass from Le Mans, St Julien cathedral, depicting Bishop Donateur. Reverse blank.

Postcard depicting 'Visiting the sick' 15th century stained glass panel, held at Leicester museum. Postcard addressed to Noel Heaton of London, from Sidney Pitcher; 'I shall be pleased to see you and if you can let me know when it will be, so much the better.' Postmarked Gloucester, 5th Aug 1924(?).

Blank postcard with black and white image glued to it - three strips of paper depicting multiple panels of stained glass windows. Reverse blank.

Blank postcard with black and white image glued to it - four panels of stained glass window depicting figures at prayer (donors). Handwritten note at edge of postcard 'Sixteenth cent window painted from 15th cent cartoons - St Parre es a Tertes. Aube.' Reverse blank.

Blank postcard with black and white image glued to it - reproduction of map of (early modern?) London, Thameside. Reverse blank.

Blank postcard with black and white image glued to it - painting of head of young person. Identity unknown. Reverse blank.

Blank postcard with black and white image glued to it - line drawing depicting medieval kiln. Reverse blank.

Blank postcard with black and white image glued to it - line drawing of glassmaker's workshop. Reverse blank.

Blank postcard with black and white image glued to it - drawing of part of Penancers window, depicting one figure whipping another. Envelope stuck to postcard, reading 'Penancer inflicting punishment, from Penancers window, Nave, York Minster'.

Blank postcard with black and white image glued to it - reproduction of drawing of Henry Gyles with his description beneath 'Glass painting for windows, as Armes, Sundyals, History, Landskipt andc, Done by Henry Gyles of the City of York'. Reverse blank.

Blank postcard with black and white image glued to it - part of stained glass window depicting two kneeling young male figures (donors?). Reverse blank.

Blank postcard with black and white image glued to it - five lights of stained glass window, depicting various male saints - St George, unknown, Christ descending from the cross, saint with palm[?] St Christopher carrying Christ child, with donor panels beneath. Flap of paper stuck to card with 'Local Style, Winchester and foreign Influence. Mentonniere or Gaynor, 3 brasses in Yorkshire. GILDS St Christopher, St George'. Reverse blank.

Blank postcard with black and white image glued to it - three panels of stained glass window (subject unclear). Reverse blank.

Blank postcard with black and white image glued to it - six panels of stained glass window (subject unclear). Reverse blank.

Blank postcard with black and white image glued to it - two lights of stained glass window (subject unclear). Reverse blank.

Blank postcard with black and white image glued to it - part of cartoon for decorative stained glass window with leaf and vine design. Reverse blank.

Blank postcard with black and white image glued to it - part of stained glass window depicting richly dressed men, women and children walking outside (donor figures?) caption Hans Wirhrer, anno domeni 1537'. Reverse blank.

Blank postcard with black and white image glued to it - part of stained glass window depicting monk and Jesus (with Lamb of God) either side of a family crest and Madonna with child. Reverse blank.

Blank postcard with black and white images glued to it - line drawings of medieval stained glass window borders. Upper image: man with horse; woman chasing fox(?) with goose in its mouth; monkey with bird. Lower image: men with dogs hunting stag and lion. Reverse blank.

Blank postcard with black and white image glued to it - line drawing of medieval stained glass window borders, depicting man with horse; woman chasing fox(?) with goose in its mouth; monkey with bird. Flap of paper stuck to card reading 'Fox runs away with the goose. North Side of Nave York Minster. Also in miseire seat, Ripon Minster'. Reverse blank.

Blank postcard with black and white image glued to it - reproduction from book - Early Modern(?)description of how to make glass and line drawing of kiln. Reverse blank.

Blank postcard with black and white image glued to it - reproduction from print, of the Pedlar and his Dog window, St Mary's Lambeth, with description below. Reverse blank.

Blank postcard with black and white image glued to it - four lights of stained glass window depicting St George, St Christopher, other unknown saints, family crests and donors. Flap of paper stuck to card reading 'Thomas Drawswerd did not get the work for Henry VIIth tomb. Torrigiano. Compare tomb with [?] at York'. Reverse blank.

Blank postcard with black and white image glued to it - part of stained glass window depicting St Christopher carrying the Christ Child. Reverse blank.

Blank postcard with black and white image glued to it - stained glass window depicting saint surrounded by tonsured figures. Reverse blank.

Blank postcard with black and white image glued to it - stained glass window, depicting St Mary Cleophas, her husband Alphaeus, their children St Simon, Jude, James the Less, Joseph Justus. Flap of paper glued to postcard, with handwritten notes: 'Holy Families, Typically Local Subject, costume, armour' and a quote from Chaucer's Wife of Bath - 'When can be seen in any manner age, that high God defended marriage, by express word, I pray you telleth me, on where commanded he virginitee?' Reverse blank.

Blank postcard with black and white image glued to it - part of stained glass window depicting Jesus and two other male saints. Reverse blank.

Blank postcard - presumably did have image glued to it but is now missing. 'St William received by the King of Sicily. See also 107 for ditto to larger scale' written on postcard. Reverse blank.

Blank postcard with black and white image glued to it - close up of panel of stained glass window - King being attended by bishop and monks. Reverse blank.

Blank postcard with black and white image glued to it - panel of stained glass window - St William(?) blessing crowds on horseback. Reverse blank.

Blank postcard with black and white image glued to it - photo of the whole Acts of Mercy window from All Saints North Street. Reverse blank.

Blank postcard with black and white image glued to it - close up of part of stained glass window, depicting a panel from the Acts of Mercy Window, All Saints North Street - Visiting the Prisoners. Description of panel written to right of image. Reverse blank.

Blank postcard with black and white image glued to it - close up of part of stained glass window, depicting St William(?) being visited by Holy Dove. Reverse blank.

Blank postcard with black and white image glued to it - close up of part of stained glass window, depicting Lord Mayor surrounded by tonsured figures. Piece of paper stuck as flap over image, 'Dignity of office of Lord Mayor, St William Window painted 25 years later' written on paper. Reverse blank.

Blank postcard with black and white image glued to it - close up of part of stained glass window, depicting man in stocks. Reverse blank.

Blank postcard with black and white image glued to it - close up of stained glass window, depicting men at prayer at St William shrine. Reverse blank.

Blank postcard with black and white image glued to it - close up of stained glass window, tonsured male head. Reverse blank.

Blank postcard with black and white image glued to it - part of stained glass window, depicting tonsured male head with halo. 'Head of Sainted Bishop. (so-called Mass of St Gregory subject) All Saints North St. York' written next to image. 'Compare with Head of St William Slide no.' written beneath image. Reverse blank.

Blank postcard with black and white image glued to it - part of stained glass window, depicting kneeling young male donor figures in decorative armour. Piece of paper stuck as a flap over image. 'Local Fashions in Costume, Thomas de St Quentin, Harpham 1420' written on paper. Reverse blank.

Blank postcard with black and white image glued to it - reproduction of poster about robbery of stained glass from All Saints North St, in 1842 (date written on image and on postcard). Reverse blank.

Blank postcard with black and white image glued to it, depicting engraving of Henry Gyles. Reverse blank.

Blank postcard with black and white photo image glued to it, depicting opened scroll (?Possibly part of York Minster Fabric Rolls?). '1449' written to right of image. Reverse blank.

Blank postcard with black and white photo image glued to it, depicting unrolled scroll with text on it - subject unclear. Reverse blank.

Blank postcard with black and white photo image glued to it, depicting close up of donor window from St Denys, York - top half of Robert de Skelton presenting his own donor window. Reverse blank.

Blank postcard with black and white photo image glued to it, depicting a Donor window from St Denys, York - Robert de Skelton presenting his own donor window. Reverse blank.