Reproduction from a book or newspaper: picture of medieval stained glass, image of crowned male figure with vines in background (Jesse tree?). Caption: 'sold for 70,000 (£18,500) dollars in New York - a record price: a thirteenth century English stained glass panel from the Lawrence collection'.
Knowles; John Ward (1838-1931)Photo of a corroded section of stained glass window.
Knowles; John Ward (1838-1931)Photo of a corroded section of stained glass and leading, and a corroded iron bar.
Knowles; John Ward (1838-1931)Reproduction from a book, showing a drawing of a multi-panel stained glass window. In National Gallery of Scotland.
Knowles; John Ward (1838-1931)Reproduction of a drawn design for stained glass window. In the possession of Mr Bell, Ashmolean Museum, Oxford.
Knowles; John Ward (1838-1931)The creed was apparently written by John Steward of Whitby and relates to William Pitt, Chancellor of the Exchequer and Henry Dundas.
Knowles; John Ward (1838-1931)Depicting two male figures, one crawling/kneeling one standing, at shrine.
Knowles; John Ward (1838-1931)Reproduction: line drawing of a glass-painters shop, two figures at work (in early modern? dress), a flaming brazier.
Knowles; John Ward (1838-1931)A collection of stories.
Section of a stained glass window, showing a standing, crowned male figure, clearly comprised from (at least!) three different figures. Medieval. From Broughton Church Staffs.
Knowles; John Ward (1838-1931)From the Clerstory, St Martin-le-Grand, York. Image of both sides of the stained glass window, caption 'North Clerestory. St Martin-le-Grand, York - Figure of St Mark turned over and made to face in the opposite direction becomes St Luke'.
Knowles; John Ward (1838-1931)One glass plate negative with two images of different stained glass lights, St Mark & St Luke (same cartoon likely used for both, same image as in photo KNO/24/1348).
Knowles; John Ward (1838-1931)The book lists the costs of repairs to buildings as part of commissions carried out by J W Knowles & Sons.
Knowles; John Ward (1838-1931)The volume lists bills to be received and paid, including payments to staff and contractors for various projects.
Knowles; John Ward (1838-1931)The volume includes lists of bills to be paid and bills to be received at regular intervals throughout the period.
Knowles; John Ward (1838-1931)The volume primarily relates to the business premises of J W Knowles and Sons in Stonegate.
Knowles; John Ward (1838-1931)This appears to be an earlier volume retained by Knowles.
Glass plate negative.
Knowles; John Ward (1838-1931)Shows a panel on the buttress carved with a shields-of-arms. The pulpit, pews, and a window are also visible. Glass plate negative.
Knowles; John Ward (1838-1931)The photographs were collected by John Ward Knowles in his capacity as a member of the Society.
Knowles; John Ward (1838-1931)Labelled 'All Saints Church North Street York'. Printed sketch of All Saints Church exterior. Shows exterior of church and North Street with figures in costume similar to KNO/24/2961. Glass plate negative.
Knowles; John Ward (1838-1931)Labelled 'All Saints Church Pavement York'. Printed sketch of All Saints Church. Figures in costume similar to KNO/24/2948. Includes horse and cart. Glass plate negative.
Knowles; John Ward (1838-1931)Labelled 'All Saints from Railway Street' (later George Hudson Street) and 'All Saints Church North Street York'. Photograph printed in book. Pile of rubble in front of church. Glass plate negative.
Knowles; John Ward (1838-1931)Photograpg of two lights from medieval stained glass window - one depicting Jesus(?) holding cross stick, other depicting unidentified male figure (St James?). Lights may be from two separate windows.
Knowles; John Ward (1838-1931)St Anne and Blessed Virgin, from Weales Quarterly.
Knowles; John Ward (1838-1931)Corporal Acts of Mercy window: canopy to side lights. On acetate.
Knowles; John Ward (1838-1931)Corporal Acts of Mercy window: canopy to centre lights. On acetate.
Knowles; John Ward (1838-1931)Corporal Acts of Mercy window: suns and stars in the base panel, centre light. On acetate.
Knowles; John Ward (1838-1931)East window: head of St Christopher. On acetate.
Knowles; John Ward (1838-1931)Corporal Acts of Mercy window: centre light. Giving drink to the thirsty and visiting the sick. On acetate.
Knowles; John Ward (1838-1931)Corporal Acts of Mercy window: left hand light showing a donor. On acetate.
Knowles; John Ward (1838-1931)Corporal Acts of Mercy window.
Knowles; John Ward (1838-1931)East window: head of the Blessed Virgin as a girl. On acetate.
Knowles; John Ward (1838-1931)Incredulity of St Thomas window: figure of St Thomas. On acetate.
Knowles; John Ward (1838-1931)Corporal Acts of Mercy window: left hand light. Top shows the feeding of the hungry, bottom shows clothing the naked. On acetate.
Knowles; John Ward (1838-1931)Corporal Acts of Mercy window: right hand light, showing donors. On acetate.
Knowles; John Ward (1838-1931)East window: head of St Anne. On acetate.
Knowles; John Ward (1838-1931)Incredulity of St Thomas window: figure of Our Lord. On acetate.
Knowles; John Ward (1838-1931)Corporal Acts of Mercy window: receiving the stranger and visiting the prisoners. On acetate.
Knowles; John Ward (1838-1931)Photo of a stained glass window from All Saints York.
Knowles; John Ward (1838-1931)Photo of brass alms dish (as in KNO/24/543, but different background, size and angle of photo).
Knowles; John Ward (1838-1931)For F V Kidson Esquire, Ben Rhydding.
Knowles; John Ward (1838-1931)Reproduction from a book (MS Addit. 15274), showing an engraving of a medieval ecclesiastical court in session.
Knowles; John Ward (1838-1931)Includes information about priests clothing.
Depicting a winged figure. Medieval.
Knowles; John Ward (1838-1931)Celluloid.
Knowles; John Ward (1838-1931)Detail from a stained glass window of a crowned, bearded figure with an angel whispering in one ear, a Devil whispering in the other.
Knowles; John Ward (1838-1931)Powers: Angels and Archangels. Image of two panels of stained glass window - angels in armour in upper panel ('powers'); angels with trumpets in lower panel.
Knowles; John Ward (1838-1931)Virtues and Principalities (skull caps). Image showing two panels of stained glass window: crowned angels in upper panel, skull-capped angels in lower panel.
Knowles; John Ward (1838-1931)Light of stained glass window. T495 on larger scale.
Knowles; John Ward (1838-1931)Stained glass window from inside church, taken from above ground level.
Knowles; John Ward (1838-1931)The image shows two lights from a stained glass window, one depicting bishop and armoured figure(?), other depicting scenes from life of Christ.
Knowles; John Ward (1838-1931)Photo of circular stained glass window, taken from inside cathedral.
Knowles; John Ward (1838-1931)Photo of whole stained glass window, taken from inside cathedral.
Knowles; John Ward (1838-1931)Stained glass window - fleur de lis design w 'LF 28 May 1717' written at top, 'fait par tournou' written at bottom. See Day Windows. P222.
Knowles; John Ward (1838-1931)Part of a stained glass window, depicting an angel.
Knowles; John Ward (1838-1931)Reproduction of a cartoon for a stained glass panel, depicting the Annunciation.
Knowles; John Ward (1838-1931)Upper part of stained glass window depicting angel addressing Mary.
Knowles; John Ward (1838-1931)Also includes an Agnus Dei Device.
Knowles; John Ward (1838-1931)Includes tracery, North East window, St Helen's Church, and Bowett window.
Knowles; John Ward (1838-1931)Stained glass coat of arms - demi-lion and three pears, parrot with pear in its claw perched on knight's helmet. Motto: Amo Ut Invenio (I love as I find).
Knowles; John Ward (1838-1931)Typescript copy with handwritten annotations.
Handwritten copy of the article, which was reproduced in the Burlington Magazine in March 1926.
Typescript copy of the article, which was published in the Antiquaries Journal in July 1927.
Reprinted from 'Yorkshire Archaeological Journal' Part 148.
Typescript copy of the article, which was reproduced in the Connoisseur Magazine in November 1926.
Typescript copy of the article, which featured in the Journal of the Royal Institute of British Architects, February 1927.
Handwritten copy of the article, which was read before the Yorkshire Philosophical Society on 20/9/1923. The talk was later reprinted in the Yorkshire Herald the following day.
Reprinted from the Journal of the British Society of Master Glass-Painters, 1958-59.
Reprinted from the Journal of the British Society of Master Glass-Painters, 1952-53.
Handwritten copy of the article, which was published in Notes and Queries, May 1924.
Reprinted from the Journal of the British Society of Master Glass-Painters, 1951-2.
Typescript copy of the article, which was published in the Journal of the British Society of Master Glass-Painters in April 1927.
Reprinted from the Journal of the British Society of Master Glass-Painters, 1949-50.
Handwritten copy of the article, which featured in the Glass Painter's Journal in April 1926.
Handwritten copy of the article, which was later published in the Society of Chemical Industry Leeds Meeting Handbook, 1925.
Typescript copy of the article, which was published in the Architect's Journal in July 1927.
Reprinted from the Yorkshire Archaeological Journal.
Typescript copy of the article.
Handwritten copy of the article, which was reproduced in the Yorkshire Philosophical Society Report in 1926.
Handwritten copy of the article, which was reproduced in the Bodleian Quarterly Record in 1926.
Handwritten copy of the article, which was reproduced in the Society of Glass Technology Journal in 1922.
Reprinted from the 'Journal of the British Society of Master Glass-Painters', 1950-51.
Typescript copy of the article, which was reproduced in the National Glass Budget, Pittsburgh, USA in October 1926.
Reprinted from the Journal of the British Society of Master Glass-Painters, 1949-50.
Reprinted from 'Stained Glass', Winter 1957-8.
Handwritten copy of the article, which was reproduced in 'Glass' in April 1924.
Reprinted from the Journal of the Yorkshire Archaeological Society.
Handwritten copy of the article, which featured in the Glass Painter's Journal in October 1930.
Reprinted from the Archaeological Journal.