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Handwritten copy of the article, which was published in Notes and Queries, May 1924.

Reprinted from the Journal of the British Society of Master Glass-Painters, 1951-2.

Typescript copy of the article, which was published in the Journal of the British Society of Master Glass-Painters in April 1927.

Reprinted from the Journal of the British Society of Master Glass-Painters, 1949-50.

Handwritten copy of the article, which featured in the Glass Painter's Journal in April 1926.

Handwritten copy of the article, which was later published in the Society of Chemical Industry Leeds Meeting Handbook, 1925.

One typescript copy of the article, and one copy of the article as printed in the Glass-Painters Journal in October 1925.

Typescript copy of the article, which was published in the Architect's Journal in July 1927.

Reprinted from the Yorkshire Archaeological Journal.

Typescript copy of the article.

Handwritten copy of the article, which was reproduced in the Yorkshire Philosophical Society Report in 1926.

Handwritten copy of the article, which was reproduced in the Bodleian Quarterly Record in 1926.

Handwritten copy of the article, which was reproduced in the Society of Glass Technology Journal in 1922.

Reprinted from the 'Journal of the British Society of Master Glass-Painters', 1950-51.

Typescript copy of the article, which was reproduced in the National Glass Budget, Pittsburgh, USA in October 1926.

Two typescript copies of the article, which was reproduced in the Connoisseur Magazine in April 1930.

Reprinted from the Journal of the British Society of Master Glass-Painters, 1949-50.

Reprinted from 'Stained Glass', Winter 1957-8.

Handwritten copy of the article, which was reproduced in 'Glass' in April 1924.

Reprinted from the Journal of the Yorkshire Archaeological Society.

Handwritten copy of the article, which featured in the Glass Painter's Journal in October 1930.

Reprinted from the Archaeological Journal.

The article was read at the Society of Architects and reprinted in The Builder magazine on 19 May 1922. Typescript with attached photographs.

Reprinted from the 'Antiquaries Journal'.

Reprinted from 'Yorkshire Archaeological Journal' 1955.

25 page typescript with handwritten annotations. The article was originally entitled 'How the money for windows was raised.'

One copy article is part handwritten (with annotations) and part typescript, whilst the other is as-published.

Reproduction from The Antiquary magazine, entitled 'On English Medieval Window Glass', detailing new research and methods of colouring glass during the medieval period.

Original articles and illustrations compiled by John Alder Knowles during the course of his career. Please see item level descriptions for more detailed information about the contents of this series.

The first article is handwritten with annotations, whilst the second is a typescript.

Newspaper cuttings about glass making and painting.

THIS ITEM IS CURRENTLY CLOSED AND CANNOT BE ISSUED

Includes original black and white and colour designs for stained glass windows, war memorials and church fittings carried out by J W Knowles & Son, as well as photographs of glass panels. Many of the designs have been mounted onto card and are captioned.

Includes original black and white and colour designs for stained glass windows, war memorials and church fittings carried out by J W Knowles & Son, as well as photographs of glass panels. Many of the designs have been mounted onto card and are captioned.

Includes original black and white and colour designs for stained glass windows, war memorials and church fittings carried out by J W Knowles & Son, as well as photographs of glass panels. Many of the designs have been mounted onto card and are captioned. Housed in a large binder.

Wrapped in an envelope marked 'Details, old glass, various'. Includes original black and white and colour designs for stained glass windows, war memorials and church fittings carried out by J W Knowles & Son, as well as photographs of glass panels. Many of the designs have been mounted onto card and are captioned.

The bundle comprises black and white photographs of stained glass windows, as well as etchings possibly used as inspiration for new windows. Originally housed in a maroon binder marked 'P3.'

The bundle comprises colour artwork for stained glass windows, war memorials and church fittings carried out by J W Knowles & Sons. Most of the images are mounted onto card.

This series includes original black and white and colour designs for stained glass windows, war memorials and church fittings carried out by J W Knowles & Son, as well as photographs of some glass panels. Many of the designs have been mounted onto card and are captioned.

Includes original black and white and colour designs for stained glass windows, war memorials and church fittings carried out by J W Knowles & Son, as well as photographs of glass panels. Some of the designs have been mounted onto card and are captioned.

Image of stained glass window showing Ascension, from Le Mans Cathedral. Medieval.

Negative photo image showing the detail of stained glass, depicting the saints in the Le Mans Ascension window. Medieval.

Stained glass window showing Ascension, from Le Mans Cathedral. Medieval (as in KNO/24/780).

Negative photo image showing the upper and lower parts of the Le Mans Ascension window. Medieval.

An assortment of information about the York Musical Society, including information about a musical society ball, a list of rules, newspaper clippings and a list of members to the society from 1921-22.

A collection of short works including 'Yorkshire Dialect, Dialogoues, tales, and songs', 'The Original Clock Almanack' by John Hartley, 'Medicinal Waters', 'Shakespeare Almanack' and 'Freemasonry in York'.

An assortment of pieces including a book of christmas hymns, tickets, a Latin test and a few book pages detailing the reign of Solomon.

Celluloid.

Stained glass window, depicting various scenes from the lives of Mary and Jesus, including Mary arising to heaven in the middle panel. Includes German text and manufactured from Swiss glass.

Stained glass panel with fleur-de-lys design. LF28 May 1717 writen at top of panel, 'Fait par tournou' at bottom.

Reproduction from a book, showing a handwritten letter from Mr Miller to Mr Radcliffe(?), dated Feb 10 1819. In Thomas Wilmhurst's scrap book, now in the posession of E. Wyndham Hulme, Clare, Sevenoaks.

Signed petition papers against framing a new Rubric

The certificate was issued in St Michael le Belfrey, York.

Identical photo of baptismal shell with Cuthbert/Celtic cross(?) design on handle.

Marked 15/. Photograph of a baptismal shell (possibly made of actual shell?) with cross pattée handle.

Includes: 1. abstract quatrefoil-based design; 2. painted image of St Catherine; 3. Painted image of St Hilda and 4. painted image of St Cuthbert.

Image of 19th century stained glass window depicting a monk ringing evensong.

Reproduction of a drawing of the chapel, with stained glass windows visible. Lithograph (no publisher's name or date) in Thomas Wilmshurst's scrap book.

Taking down glass to protect it from air raids.

Showing the whole of the 'the Prik of Conscience' window from All Saints North Street.

Medieval stained glass window. Appears to be the Pricke of Conscience window.

Believed to by St Michael le Belfrey, York. Glass plate negative depicting a saint (or Jesus?) with the Holy Dove flying down from above.

Believed to by St Michael le Belfrey, York. Glass plate negative photo of part of a stained glass window, depicting an Angel with sword raised in hand.

Medieval window showing three figures casting a bell. Pictures of bells in border of window.

Medieval window showing St William on horseback.

Medieval window. Very faded.

Reproduction from a book (captioned 'fig. 8, south window of dining room dial from light III. 5'), showing a line drawing of stained glass sundial, signed 'Bernard Dininckhoff feat. Ano 1585'.

From a drawing by Albert Durer. Portrait of a man (Probably Bernard Van Orley): London, Print Room, British Museum.

Includes memorial to Emma White d.1920 with St Hilda and St Aidan (nos.1-4); memorial to parishioners who fell in the First World War (nos.5-10); memorial to the life of Mrs Shan with St Catherine (no.12); St George panel (nos.13-15)

Includes two images of James Knowles, father of John Ward Knowles, and images of what would appear to be the family home.

Includes two images of an unidentified man and one further image of a woman entitled 'Mitty'.

Originally held in a box marked 'Knowles Wooden box plates 28.'

Includes three images of Jane Knowles (nee Annakin) wife of John Ward Knowles, and one further image of the wife of an unidentified member of the Knowles family.

Three lights of stained glass window depicting different bishops.

The front cover of the notebook is seperate from the body of the book itself. Contains information about art pieces and pricings.

The booklet was produced by The Yorkshire Printing Co Ltd. The booklet is interleaved with articles by John Alder Knowles, including one entitled 'A Jesse Window in the south aisle of the Choir of York Minster'.

Reproduction from a book showing a picture of the border window, captioned '174. York Minster'.

The box contains numerous seals relating to a number of different families, and was most likely retained by John Ward Knowles.

Also includes a hand-drawn illustration for an article on Theophilus.

Two plates. Identical photo of gas lamp mounted on decorative metal wall bracket.

Gateway with black railings set into stone wall with sphinxes either side and statues on pillars above. Photo taken facing away from building. Glass plate negative.

House flanked by colonnades with raised forecourt. Glass plate negative.

The chapel was built c.1760. It is pictured here at the north end of the terrace, to the rear of Bramham Park. Glass plate negative.

Photo of brass alms dish (same motto as KNO/24/542 but different crest in centre).

Two plates. Photographs of a brass alms dish with 'more blessed to give than to receive' written around rim.

Two plates. Identical images of ornate metal cross with three-pronged ends (similar to a St Thomas cross?).