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Black and white image of medieval stained glass: The Virgin Enthroned, from the Victoria and Albert Museum. Reverse blank.

Black and white image of stained glass window, depicting three angels appearing to Abraham, from St Etienne-du-Mont. Reverse blank.

Black and white image of a stained glass window, from St Etienne-du-Mont. Noah's Ark in background of window, 'the Vessel of Religion' in foreground. Reverse blank.

Black and white image of stained glass window panel from Chelsea old church - robed figure and decorative border. Reverse blank.

Black and white image of a stained glass panel - the arms of the Counts of Kyburg (family crest flanked by Adam and Eve?). From the Victoria and Albert Museum. On the reverse is a note to J.A. Knowles from 'H.R.', discussing photographs and prints of stained glass. Postmarked Croydon, 19 January 1926.

York Trinities in the South West Window.

Jesse Window. Blessed Virgin and child and King David.

Angelic hierarchy window, showing Seraphim and thrones.

Corpus Christi figure. On acetate.

Figure of donor. On acetate.

East window: head of St Anne. On acetate.

Incredulity of St Thomas window: figure of Our Lord. On acetate.

Corporal Acts of Mercy window: receiving the stranger and visiting the prisoners. On acetate.

West window, south aisle. On acetate.

South aisle, choir, York Minster. Complete window.

South aisle, choir, York Minster. Complete window.

Trinity Panel.

Corpus Christi, east window.

Three windows with thick black borders, Chancel (third from east0.)

Wildfowling.

Reproduction from an arts catalogue, showing images of glass.

Showing canopy treatment similar to stained glass.

Fox preaching, from a carving on the capital of the Minster. Taken from Browne's history.

Photo image of a circular stained glass window, with 'STAINED GLASS is NOT a 'Lost Art'' scratched into it.

Showing painted panel with coat of arms.

Showing a group photo of seven people, taken outdoors.

Marked 'since removed.' Four photographs, cut to shape - tracery panels of stained glass windows depicting various saints and monarchs.

Photograph of part of a window in St Martin-le-Grand, Coney Street, depicting St Martin dividing his cloak with a beggar.

Photograph of part of the West Window in St Martin-le-Grand, depicting Enthroningation(sic) of St Martin as Archbishop.

German colour drawing of St Maximilian, with biography in German on the reverse.

Slides showing the techniques and tools used in stained glass window making. File includes nos. 155, 156, 160, 161, 167, 183, 187, 188, T.335, and three unnumbered slides.

HT.1 William of Wykeham window 15th century. P.92 West window by Sir Joshua Reynolds 1779-85.

Stained glass designs. S.50 Salisbury Cathedral: detail of grisaille from a drawing.

Malvern Priory, general view, Lady Chapel.

13th century stained glass from the Sainte Chapelle, Paris.

Ascension window (T.483), unspecified window (T.485).

Set of slides showing: no.2 unidentified; no.22 unidentified; no.26 unidentified; no.30 unidentified; no.31 stained glass with inscription to Jacob Sulger ?1670s; no.37 cartoons used twice, Vaudes, Aube Madeleine, Troyes; no.38 cartoon cut in two so as to miss the central figure, Vaudes Aube; no.59 window, north aisle, Nostell Church; no.71 extract from ordinances of the York glass painters 1463-64; no.81 (K) two Bishops thrown into Hell, Bourges Cathedral; no.82 (K) Monk first into Heaven, Bourges Cathedral; no.91 unidentified; no.100 St William Window, York Minster c.1421.

The window dates from 1537 and includes the name Hans Wichrer.

The panels could be from the Great East Window at York Minster.

Judging by the use of abbreviations and marks, the text is likely to be medieval in origin.

The image depicts a family with a crib.

The images are possibly of saints, and could be taken from etchings. The images themselves are very faded.

The image itself is quite difficult to make out.

Originally held in a box marked 'Knowles Wooden box plates 28.'

Originally held in a box marked 'Knowles Wooden box plates 28.'

There is damage to all plates on one edge. Originally held in a box marked 'Knowles Wooden box plates 28.'

Originally held in a box marked 'Knowles Wooden box plates 28.'

Originally held in a box marked 'Knowles Wooden box plates 28.'

Originally held in a box marked 'Knowles Wooden box plates 28.'

North Nave arcade, showing the 'Crompton door.' Taken by W Harvey Brook.

Demolition of 18th century west wall. Taken by W Harvey Brook.

Angle capital, late Norman or early English. Taken by W Harvey Brook.

Chancel and Great Tower piers. Taken by W Harvey Brook.

Restored nave, from one bay west of nave. Taken by W Harvey Brook.

North aisle and nave, looking west, with arcade and west window. Taken by W Harvey Brook.

North aisle and nave, showing new west bays and triform. Taken by W Harvey Brook.

New west wall lancets, exposed for glass only. Taken by W Harvey Brook.

Base pier, second and third bay north arcade. Taken by W Harvey Brook.

Early English grave slab found in excavation of nave. Taken by W Harvey Brook.

South east angle of east wall, showing demolished choir. Taken by W Harvey Brook.

Rectory garden, with JW demolished wall. Taken by W Harvey Brook.

Rectory garden, with JW demolished wall. Taken by W Harvey Brook.

Marked 'Hayes and Finch, price £1.15.0.'

Reverend Ward Askham.