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Labelled 'Cawood Castle, Cawood York'. Illustration of river and the castle, captioned 'A perspective of the views of Cawood Castle'. It appears to be an engraving and the book is thought to be James Peller Malcolm's 'Lives of Topographers and antiquaries [...]'. Glass plate negative.

Labelled 'Cawood Palace'. The illustration is from a book and is captioned 'The Gateway of the Palace at Cawood'. It appears to be an engraving and the book may be James Peller Malcolm's 'Lives of Topographers and antiquaries [...]'. Glass plate negative.

Printed sketch titled 'The Wreck of the Royal George.' The caption below the title reads 'Published by the Hudson's Bay Company, 5, Haymarket'. The sketch shows figures fleeing from a shipwreck. At the bottom of the drawing, a man with a judge's wig and a snake's body has the word 'Chancery' inscribed on his tail. This sketch was adverised in The Morning Post on 4 August 1849 as follows: 'The Wreck of the Royal George drawn by Scrib. A moral showing how a royal vessel was sunk by a meek wind, during the butterfly season, to the delight of the great sea serpent and other amphibious monsters. - Published by the Hudson's Bay Company, 5, Haymarket. To be had of all Book and Print Sellets, price Eighteenpence'. See KNO/24/3341. Glass plate negative.

Printed sketch titled 'The Wreck of the Royal George'. The caption below the title reads 'Published by the Hudson's Bay Company, 5, Haymarket'. The sketch shows figures fleeing from a shipwreck. At the bottom of the drawing, a man with a judge's wig and a snake's body has the word 'Chancery' inscribed on his tail. This sketch was adverised in The Morning Post on 4 August 1849 as follows: 'The Wreck of the Royal George drawn by Scrib. A moral showing how a royal vessel was sunk by a meek wind, during the butterfly season, to the delight of the great sea serpent and other amphibious monsters. - Published by the Hudson's Bay Company, 5, Haymarket. To be had of all Book and Print Sellets, price Eighteenpence'. See KNO/24/3339. Glass plate negative.

The slide is labelled: 'Badge of Sword Bearer' and 'Mr Layley's Chain, York'. The silver shield bears the arms of the city (St George's cross with five leopards distributed across it). The chain is also composed of linked leopards and there is a smaller silver shield attached to the main shield, also bearing the arms of the city, with a single pendant leopard hanging below it. Lantern slide.

Labelled 'All Saints Church, York'. Shows the St Thomas stained glass window and altar viewed from the central aisle. The pulpit and pews are also visible. Lantern slide.

This volume has the subtitle 'A list of York Musicians from early times to the present day' and includes handwritten notes and newspaper cuttings compiled by J W Knowles about musicians in the city. Arranged alphabetically by surname, this volume covers surnames Ibbetson to Young. Indexed.

One block showing part of a stained glass window in an unidentified church.

One block showing a stained glass window from the church.

The album relates to renovations on the premises carried out in the 1990s.

The volume was compiled by J W Knowles and includes handwritten biographical notes on historical artists based in Yorkshire, as well as newspaper obituaries of more recent artists.

Includes handwritten research notes by J W Knowles regarding the history of the Minster, as well as occasional newspaper cuttings.

Volume of handwritten notes, black and white photographs, newspaper cuttings and original sketches relating to the stained glass in Yorkshire churches. The volume is arranged alphabetically by church and excludes churches in the city of York.

Exercise book compiled by J W Knowles marked '5 - actors'. Includes newspaper clippings and handwritten notes covering theatrical news.

The exercise book is numbered '2' and contains heraldic notes.

The exercise book contains notes on heraldry.

The slide is broken down the centre.

It is likely that the window was part of York Minster.

The etching shows Swiss glass being manufactured and was drawn by an unknown artist. The original item is in the British Museum.

It is likely that the window was in York Minster.

The engraving has been printed as an illustration in a book.

The painting was used as an illustration in J W Knowles' 'A manual of glass painting.'

The painting was used as an illustration in J W Knowles' 'A manual of glass painting.'

The painting was used as an illustration in J W Knowles' 'A manual of glass painting.'

The painting was used as an illustration in J W Knowles' 'A manual of glass painting.'

The painting was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The painting was used as an illustration in J W Knowles' 'A manual of glass painting.'

The painting was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.' Emulsion slightly damaged.

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The glass negative was used as an illustration in J W Knowles' 'A manual of glass painting.'

The image shows a woman poisoned by eating a frog.

Marked 'P72, O72'.

Marked 'P86, O65'.

Marked 'P28, O31.'

Marked 'P47, O89.'

Marked 'P83, O81.'

It is likely that the chapter house is in York Minster.

The image comes from a church in Warrington.

The handbill relates to the theft of glass from All Saints North Street.

The image has been taken from a book.

Reproduced in German book.

Panel 66. Woman poisoned by eating frog. St William Window, York Minster.

Reproduction of six contracts for windows, 1445-1450, undertaken by John Pruddle of Westminster. Plus caption.

Visitations, Gisons copied from engraving of the Story of Psyche. Caption: Fig 119 - Visitation de la Vierge. Vitraile en grisaille de l'église de Gisors (Visitation of the Virgin Mary. Stained glass window in Gisors church).

Image of three sections of stained glass window (one of an oak leaf?) each marked with T. Caption: '[mar]ked with a T in order to show to which light it belonged when mixed with others'.

Image of part of a stained glass window: medieval male figure praying in foreground, stained glass window and images of butterflies(?) in background.

Plate of stained glass window (medieval style but possibly newer?) showing a male figure gambling in an inn.

Full image of a stained glass window, numbered No.8706, labelled ERVY (Aube) at bottom. Scenes from life of Christ (w crucifiction at top left?).

Two half-plate enlargements. Reproduction from English book showing line drawing of Ancient Egyptian glass blowing method.

From a drawing by Albert Durer. Portrait of a man (Probably Bernard Van Orley): London, Print Room, British Museum.

Photo of a corroded section of stained glass and leading, and a corroded iron bar.

Photo of a medieval window showing a distressed woman at shrine.

Medieval window - St William kissing cross held by another male figure, observed by five others. (In pencil: one contact print).

Medieval window showing St William praying in front of the Holy Ghost (in the form of a bird), observed by two other figures.

Medieval window. Foreground: two young male figures in armour, kneeling. Background: two(?) other figures, Trefoil (and mullion?) windows.

Medieval window - male and female figures, male in armour, female in elaborate headdress, kneeling. Background: two(?) other figures, Trefoil (and mullion?) windows. Similar composition to KNO/24/360 & 362, with different figure.