Black and white photo of the exterior of the church on a postcard.
Colour photo of the cathedral.
Black and white illustration of the exterior.
Black and white photo of the exterior of the church on a postcard.
Colour illustration of the exterior of the church on a postcard.
One black and white photo of the exterior and two of the interior. Taken from George Bensons album.
Black and white photo taken from the South.
Black and white photo of a tomb inside the church.
Black and white photo of the south door. Taken from George Bensons album.
Black and white illustration of the exterior.
One general exterior and one door detail. Taken from George Benson's album.
Postcard of the church.
Exterior view from the north.
Interior photo of lancet windows.
External photo from south east.
Pencil drawing of the exterior of the building.
Four photocopies of photographs of the exterior.
Two general external photos.
Interior showing Chancel Arch.
External photo from east.
External photo from the south.
Interior from a watercolour dated 1878 in possession of Mr Philips of Bootham Terrace.
Internal view. Appears to be a different church to PHO/2/268 and PHO/2/269.
External picture of tower from the SW. Railings in situ so pre War.
Internal photo of Nave looking toward east.
External photo from south and photo of Norman doorway.
Monument of John Acclom of Moreby.
External photo from SE and copy of same.
External shot from south. During or after the Second World War.
External postcard view from SE.
External photo from north.
Coloured postcard from SW showing spire.
Detail of Fairfax tomb and interior and exterior of Walton church.
Black and white photo of arcading, Old Chantry, Kettlethorpe, near Wakefield.
Coloured postcard. Askey series. External shot from south.
External photo from NE.
Pencil drawing of exterior from SE.
Old Chantry church on Bridge. Black and white photograph.
Black and white photo with thatched building adjacent.
Interior photo with pews and pulpit.
Coloured postcard of church from south with Market cross.
Exterior shots of the village, one of Black Bull Inn, the other with pony and trap.
Interior view showing pulpit.
Interior view showing pulpit.
Exterior view taken from George Benson's album.
One exterior shot and one interior marked 'Old Oak Carving 1470'.
Engraving from Gentleman's magazine, June 1809.
Exterior view including graveyard (colour) taken from Yorkshire Post.
Distance view including river (colour).
Engraving by J Storer published 1 May 1811.
Exterior view.
Engraving published by S Hooper 16 July 1785.
Distance view including river (colour).
Exterior view.
View across lake with handwritten note dated 4-8-04.
Looking out through the hole.
Engraving.
Sketch (East front).
Engraving by S Middiman, three quarter view facing West Front.
Exterior view (colour).
Sketch (from a distance).
Engraving from Gentleman's magazine, December 1812.
Engraving by S Middiman, three quarter view facing West Front.
Sketch (from a distance).
Engraving by G J Parkyns and J Schnebbelie (2 copies).
Engraving of archway by S Hooper.
External photo.
Plan of the site.
Engraving by J Storer (2 copies).
Engraving by S Hooper.
Watercolour, mis-spelled as 'Bylond' Abbey.
Colour tinted postcard.
Postcards of the archway and gateway.
Unattributed engraving.
Engraving by S Hooper.
Unattributed engraving.
Plan of the site.
Photograph of five architects.
Engraving published by S Hooper.
Engraving.
Exterior and interior views.
Engraving published by S Hooper.
Engraving by Monkhouse.
Colour photograph, exterior view.
Colour photograph, exterior view.
Four photographs of differing exterior views.
Postcard based on a watercolour.
Photographic postcard.
Postcard (Half penny stamp advised).
Engraving.
Engraving, published by S. Hooper.
Engraving, published by S. Hooper.
Engraving, published by S. Hooper.
Photo postcard (back of postcard printed the wrong way up).
Engraving, published by S. Hooper.
Embossed 'Friths(?) series'.