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Two lights of no. 1 stained glass window from Lady Chapel, Liverpool Cathedral, depicting 'notable women': Julian of Norwich, Elizabeth Fry, Susanna Wesley and Josephine Butler. Reverse blank.

Stained glass from Le Mans - two panels, depicting a man with a sword and a king. Reverse blank.

Stained glass section from Le Mans, depicting two saints (one young, one old and bearded). Reverse blank.

Two lights of stained glass window from Lady Chapel, Liverpool Cathedral - two female saints, one holding palm and book, one leading a lion by the mane (St Justa and Rufina?). Reverse blank.

Two lights of no 6 stained glass window from Lady Chapel, Liverpool Cathedral - two female saints (Anne and Mary Magdalene?). Reverse blank.

Black and white image of stained glass panel, showing Jesus praying in garden of Gethsemane while apostles sleep around him. Captioned 'Chelsea Old Church, 17th Cent Flemish Glass, copyright. Gethsemane'. Reverse blank.

Sepia photo of stained glass window from Sainte-Chapelle. On reverse is a note from JB Himsworth to JA Knowles, thanking Knowles for 'yours' and 'April number' - presumably referring to a journal. Postmarked 17 April 1928.

Black and white photo - part of stained glass window from Le Mans, depicting St Valerie (probably St Valeria of Milan) gesturing before hooved animal on altar. Reverse blank.

Black and white image of stained glass from St-Julien - image of Louis III at prayer. Reverse blank.

Black and white image of stained glass - kneeling man in armour, with dog at his side (donor figure?). On the reverse is a note from 'H.R.' to J A Knowles, thanking him for his letter and recommending a reference book called Athena. Postmarked Croydon 10 Dec 1925.

Colour image of stained glass window, depicting St Joseph, with child Jesus, lamb and angel. Reverse blank.

Colour image of stained glass window depicting St Catherine with palm and sword. Scene of her martyrdom in background. Reverse blank.

Colour image of stained glass panel designed by Burne-Jones, depicting angels guarding the Holy Grail. Reverse blank.

Black and white image of stained glass panel - Virgin and Child, with St John the Baptist and St Dorothy, surrounded by suns and mythical figures. 16th century German origin; from the Victoria and Albert Museum. Reverse blank.

Black and white images of two stained glass panels from St Michael-le-Belfrey, York - a religious guild of boys and girls with their chaplain. Card headed 'Antiquary series No 7, JWK and Sons, York'. Reverse blank.

Black and white image of stained glass detail from York Minster - head of King of Sicily, from St William window. Card headed 'Antiquary series No 5, JWK and Sons, York'. Reverse blank.

Black and white image of stained glass panel from York Minster - donor panel (William and Thomas, sons of 7th Baron Roos of Hamlake), from St William window. Card headed 'Antiquary series No 11, JWK and Sons, York'. Reverse blank.

On acetate.

York Trinities: Tracery, south aisle.

St Anne and Blessed Virgin, from Weales Quarterly.

Westernmost window, south aisle, showing fragments, with a bearded bishop before an altar.

South east window.

Jesse Window. Envelope marked Malachyas.

Jesse Window. King twirling beard.

Corporal Acts of Mercy window: canopy to side lights. On acetate.

Corporal Acts of Mercy window: canopy to centre lights. On acetate.

Canopy with Christ with the sacrement. On acetate.

Holy Trinity in Tracery. On acetate.

Coronation of the Blessed Virgin in tracery. On acetate.

East window, south aisle. On acetate.

Corporal Acts of Mercy window: suns and stars in the base panel, centre light. On acetate.

Peter de Dene window. On acetate.

Habbakuk feeding Daniel in the lion's den: Norman glass in the base of the window. On acetate.

Corpus Christi, south aisle.

Corpus Christi, Winchester window.

Image showing three bottom panels.

Marked Brannche and Walsstene.

Includes tracery, North East window, St Helen's Church, and Bowett window.

The image was used four times in York.

Group of figures used in two different subjects.

Man on ladder. Also includes an image of the East Window, Great Malvern.

Diagrams to illustrate a lecture on the window.

Glass showing technique.

The lights are now in the Victoria and Albert Museum.

West end, north aisle, old butt from Saville Court.

West front from Wesley Garden.

North side, west front, with jamb.

West front, west door arch and base of lancets.

Great West door.

Showing Great West door, with corbelled arch.

South jamb, west door, King Edward terminal.

West front, showing arcade and south aisle window.

Includes coins of Constantine.

Showing the shoring and opened out 17th century windows.

Showing work on the building further advanced.

Showing the shoring, looking through the Trinity Lane door.

Isabel's room roof timbers, looking north.

Garden front completed.

Window, with Kempe's Haddon Hall glazing.

New door open, showing the wall tablet inside.

Spur with rose and cuspings.

Spur before Milburn's angels put on.

Spur reverse, side to Micklegate.

Spur with winged face, side to door.

The Lady' from the demolished church of St Crux, York.

The Jester', St Crux (on ceiling of stairs).

Patera of St Crux bought, given and printed by me (J W Knowles).

Patera for the ceiling of Jacobs Well.

Capitals, north door, found in excavations.

Two bays in the north arcade of the nave.

Interior, showing new door and lancet.

St Nicholas chapel: Norman fragment in wall.

North door, showing base of Roman pillar.

Base of Roman pillar outside the front of Jacobs Well.

St Nicholas tower and north side.

North wall, site of norh transept and Reverend J Solloway DD.

Excavations of the interior of the building.

Wooden side cornice, featuring a large badger.

Wooden carved finial or capital.

Fragment of stone carving.

Fragments of stone carving.

Details of stained glass panels.