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Part of stained glass window, showing nine male figures at prayer (donors?) and coat of arms. Medieval.

Photo taken from aisle, interior of cathedral with stained glass window and seats visible.

Quadrant of stained glass panel depicting people gathered at funeral? Shrine? Medieval.

Close up image of a quadrant of stained glass panel [from KNO/24/837], depicting male and female figures gathered at funeral/shrine? Medieval.

Magnified image of degraded stained glass.

Black and white photo of Rose Window at Notre Dame. Reverse blank.

Black and white photo of stained glass window depicting Immaculate Conception, from Troyes. On reverse is a note thanking JA Knowles for 'interesting offprints'. Postmarked 1959.

Colour image of a stained glass window, depicting Tobias and Sara asleep together in bed, with a dog sleeping on the bed at their feet. From the Victoria and Albert Museum. Reverse blank.

Black and white photo of stained glass window from Bourges, depicting Isaiah. On the reverse are notes describing colour scheme of window under headings White Ruby Blue Green and Yellow.

Black and white close up photo of a stained glass window from Le Mans, depicting the head of a haloed figure, holding a cross in front of them. Reverse blank.

Black and white close up photo of a stained glass window from Le Mans, depicting a bishop with hand raised in gesture of benediction. Reverse blank.

Black and white photo of Annunciation Window from Liverpool Cathedral (window dedicated to Alexander Stewart, Rector 1870-1904). Reverse blank.

Black and white image of a stained glass light depicting King Alfred, from St Hugh's School Bickley. Reverse contains a note addressed to JA Knowles 'Mr J Clement Bell acknowledges with thanks the receipt of his notes on the stained glass in Alsace'. Postmarked 23 April 1931.

Blank postcard with black and white photo image glued to it, showing reproduction of cartoons of two stained glass windows - St Catherine and the Annunciation. 19th/20th century. Reverse blank.

Blank postcard with black and white photo image glued to it, of a panel of stained glass depicting part of story of Tobias and Sara (?). Reverse blank.

Two different lights of different medieval stained glass windows, showing the same figure used for St Mark and St Luke (one holding winged lion, one holding winged unicorn). From North Clerestory in St Martin's, Coney Street.

Depicting St Martin dividing his cloak with a beggar.

Depicting St Martin having a vision of God.

Glass plate negative showing lower part of canopy, 1437, with architectural designs in stained glass window and top of St Martin's head.

Glass plate negative: tracery panels of stained glass, depicting medieval angels, some with swords, spears and crowns. Some decorative floral panels.

Showing the lower, decorative panels of West Window at St Martin's Coney Street, and donor panel depicting Reverend Robert Semer.

Image of a man (possibly Knowles) standing in front of a 'Faith, Hope & Love' stained glass window, with designs for other window lights laid out in front of him.

Scrapbook compiled by J W Knowles containing newspaper cuttings, pen and ink drawings and handwritten notes as well as photographs and concert programmes.

Scrapbook compiled by J W Knowles containing newspaper cuttings and handwritten notes.

Scrapbook compiled by J W Knowles containing newspaper cuttings, handwritten notes and cartoons. Also includes a Yorkshire Savings Bank calendar.

Exercise book compiled by J W Knowles marked '5 - actors'. Includes newspaper clippings and handwritten notes covering theatrical news.

The exercise book is numbered '2' and contains heraldic notes.

The exercise book contains notes on heraldry.

The volume was compiled by J W Knowles and consists of newspaper cuttings and handwritten notes about artists, news from the Royal Academy, Christie's sale listings and prices and details of local exhibitions. It also includes obituaries inc William Morris, Sir John Millais and Sir Edward Burne-Jones.

The volume was compiled by J W Knowles and includes handwritten biographical notes on historical artists based in York, as well as newspaper obituaries of more recent artists.

The volume was compiled by J W Knowles and includes handwritten biographical notes on historical artists based in Yorkshire, as well as newspaper obituaries of more recent artists.

Volume of handwritten notes and newspaper cuttings collected by J W Knowles, glass painter, relating to sculptors and painters. The notes have been pasted in to what appears to be an earlier business orders book, dating from 1872-1876.

Volume of handwritten notes and newspaper cuttings collected by J W Knowles relating to art and artists. The information is not always York-specific, and often relates to exhibitions and artists based in London and elsewhere.

Includes handwritten research notes by J W Knowles regarding the history of the Minster, as well as occasional newspaper cuttings.

Includes newspaper cuttings on the recasting of the Minster bells in 1926, as well as details of prominent bellringers. Indexed.

Includes newspaper cuttings and handwritten notes compiled by J W Knowles relating to the bells of York Minster as well as those of other English churches.

Includes research notes and biographies compiled by J W Knowles about various archbishops of York, as well as pencil designs of their seals. Also includes newspaper cuttings relating to various archbishops. Indexed.

Volume of handwritten notes, black and white photographs, newspaper cuttings and original sketches relating to the stained glass in York churches. Arranged alphabetically by church, the volume covers St Martin's Coney Street, St Martin-cum-Gregory, Merchant Taylor's Hall, St Michael-le-Belfrey, St Michael's Spurriergate, St Olave's, St Sampson's, St Saviour's and St Wilfred's.

Volume of handwritten notes, black and white photographs, newspaper cuttings and original sketches relating to the stained glass in Yorkshire churches. The volume is arranged alphabetically by church and excludes churches in the city of York.

Includes loose letters relating to the Journal, receipts for the journal, a log of work carried out and payments received regarding the Journal.

Volume of handwritten notes and newspaper cuttings compiled by J W Knowles about Lord Mayors of York from 1230 onwards. This volume contains an index to this volume and Lord Mayors of York, Vol 2, arranged by surname.

Volume of handwritten notes and newspaper cuttings compiled by J W Knowles relating to premises and occupants of Stonegate. Indexed at the beginning of the volume.

This volume has the subtitle 'A list of York Musicians from early times to the present day' and includes handwritten notes and newspaper cuttings compiled by J W Knowles about musicians in the city. Arranged alphabetically by surname, this volume covers surnames Ibbetson to Young. Indexed.

From a drawing by Albert Durer. Portrait of a man (Probably Bernard Van Orley): London, Print Room, British Museum.

Photo of a corroded section of stained glass and leading, and a corroded iron bar.

Photo of a medieval window showing a distressed woman at shrine.

Medieval window - St William kissing cross held by another male figure, observed by five others. (In pencil: one contact print).

Medieval window showing St William praying in front of the Holy Ghost (in the form of a bird), observed by two other figures.

Medieval window. Foreground: two young male figures in armour, kneeling. Background: two(?) other figures, Trefoil (and mullion?) windows.

Medieval window - male and female figures, male in armour, female in elaborate headdress, kneeling. Background: two(?) other figures, Trefoil (and mullion?) windows. Similar composition to KNO/24/360 & 362, with different figure.

Medieval window showing figures in a church with angels above, Latin scroll.

Medieval window showing two figures, one male, standing, one female, kneeling (washing feet of male?).

Medieval window. Close up of head of St William, looking at bird (as in KNO/24/359).

Medieval window showing St Catherine(?) between two wheels, angels above her.

Medieval window showing one section showing a group of figures, another section showing a single kneeling figure.

Reproduction of bill for stained glass at Fountains Abbey, written by John Pseuall, dated 9th Feb 1540, taken from Memorials of Ripon Surtees Soc. Volume iii, p290.

Reproduction from English book: contains sentence 'It would seem that the design and direction of the work were in the hands of the Ecclesiastical Members of the Community'. - p122, Walks Round York Minster.

Reproduction from English newspaper article: contains subheading 'A VICAR CHORAL AS GLAZIER' in reference to Thomas de Beneston.

Reproduction of stained glass window: infant Jesus visited by the three wise men (?).

Close up image of the window, showing a male bearded figure with corrosion following pattern of his hair, beard and robe.

Negative of a medieval stained glass window, showing a crowned male figure.

From Browne's History of the Cathedral Church of York. Vol ii Plate LXVII. Image of part of the Five Sisters window, showing a floral/vine pattern.

Reproduction from a book showing a picture of the border window, captioned '174. York Minster'.

Section of window, presumably from Canterbury cathedral (funeral?).

Section of window, presumably from Canterbury cathedral (four male figures).

Two images on one plate: section of window, presumably from Canterbury cathedral, (pastoral scene and healing scene as in KNO/24/465).

Section of window, presumably from Canterbury cathedral (pastoral scene, male figure with horses, as in KNO/24/466).

Section of window, presumably from Canterbury cathedral (enlargement of panel - one male figure beating another, tied).

The Resurrection of the Vicar's first wife (Reverend Joseph Hall). Reproduction of a stained glass window showing a woman attended by angels, rising to meet Jesus.

Statue of the murder (of Thomas Becket?)with stained glass windows in background.

Perhaps depicting scenes from the life of a female saint(?), and including statues of female figures at prayer either side.

Same location as KNO/24/505 but closer and lower angle shot.

The arms depict three goats and a star.

For Sir Tatton Sykes: photo of the interior of Garton-on-the-Wolds church.

Section of tiled floor with pattern (including vine leaf and grapes).

Two images of stained glass, titled 'Tracery lights done at a different time from the main lights, East Window, Great Malvern.' One of the Last Supper, captioned 'Last Supper in main lights. Good drawing of seated figures and fine treatment of hair'. One

Image of a male saint, tonsured, holding book in one hand and quill(?) or palm frond(?) in other.

Marked 'supplied to Miss Weaver.' Photograph of an open case with items of four piece communion set in front of it; chalice, paten, pyx and cruet. Label round neck of cruet with 'no.6340 £6.0.0.' written on.

Photograph of the communion set: candle in candlestick, paten, veil, pyx, bread cutter, cruets with crucifix-shaped stoppers.

Photo of metal pendant lamp (gas-powered?), suspended from above.

Photo of metal ewer, with water and cross of Cuthbert(?) design on side.

One plate with two similar images - male figure in crouching/kneeling pose, left figure bald and clean-shaven, right figure with head and facial hair. Headed 'St William Window, York Minster', captioned 'Panel 48. Blind man cured by holy oil' and 'Panel 7

One plate with seven reproductions of stained glass images and handwritten captions: two heads (the mayor of York as re-used for St William lying in State); three group scenes (woman undergoing ordeal by fire, St William lying in state, St William receive

Reproduction of a typewritten page; table showing quantities of colouring metals in each colour of stained glass.

Reproduction of line drawing of furnace, diagram and cross-section.

One plate with two images of stained glass windows - different windows with similar compositions.

Image of four ships at sea: one with sun on the sail, captioned 'Richard II returning from the expedition to Ireland. MS Hart 1319'.

One plate with two images: one stained glass and one engraving, both of Psyche meeting her sisters(?).

Print by Albrecht Durer of window. One plate with two images: one of stained glass and one engraving. Shows Christ taking leave of his mother.

Plate of Galyon Hone's signature scratched on wall of Haunted Gallery, Hampton Court.

One plate with thirteen images: cartoons of saints/bishops in similar compositons with different headwear, motifs etc.

One plate with five images. Different stained glass depicting the Holy Trinity from around York: Tracery, St Martins; Tracery St Saviours; Yorke Window St Johns Micklegate; SW window St Michaels Spurriergate (the Holy Ghost not shown); East window Holy Tr

Cartoons copied from prints. Windows at Chantilly and Ecouen copied from prints of the story of Psyche. Story of Psyche at Chantilly and Annunciation at Ecouen. Caption: 'At Ecouen the figure of the Virgin and at Chantilly the whole subject have been taken from the print of 'The Queen hearing the reply of the Oracle' from the series illustrating the story of Psyche by The Master of the Die'.

Same cartoon used twice in the same window to represent two different subjects - drowned child recovered at shrine; and humpbacked boy recovered at shrine. From the St William Window, York Minster. Images of panel 74. Hump backed boy cured at shrine. Panel 99. Drowned child brought to shrine. Same small kneeling figure visible in both.

Images from a book showing a gentleman on horseback (in 17th century dress).

Photo of a portion of stained glass window, with two lights: St Christopher carrying the Christ child; unidentified male saint.

Blurred photo of a portion of stained glass window. The plate is faded, 'no. 4 panel' written on plate in ink.

Moderately faded image, showing part of a stained glass window, subject unclear.