Identity area
Reference code
Title
Date(s)
- 1871-c.1936 (Creation)
Level of description
Extent and medium
10 volumes
Context area
Name of creator
Biographical history
John Ward Knowles was born in 1838. He left school at the age of 12.
Following a visit to the Great Exhibition in London with his father in 1851, Knowles enrolled at the newly opened School of Design in York. He continued there as a pupil until 1854, winning prizes for his stained glass work in 1852 and 1854. In around 1858, Knowles moved to London for a year to work for Heaton and Butler, where he developed an interest in photography and architecture.
In 1863, following his return to York, Knowles began to undertake conservation work on the 'Fifteen Last Days of the World' window in All Saints Church. Three years later he was a member of the committee for the 1866 Great Exhibition at Bootham, York.
In 1869 Knowles moved his stained glass business from Goodramgate to Stonegate. Five years later he married Jane Annakin, with whom he had two sons, John Alder and Milward, and four daughters. Both sons would follow him into the family business of J W Knowles & Sons. In 1874 he also bought and began to restore 23 Stonegate (now number 35).
During the 1880s and 1890s Knowles undertook extensive conservation work on the St Cuthbert and St William windows at York Minster, during which process he photographed all the panels before their restoration and rearrangement. He also spent some time working on the stately home Nostell Priory.
John Ward Knowles died on 17 August 1931 at the age of 93.
John Ward Knowles was the father of John Alder Knowles, stained glass painter, who worked with him in the family business J W Knowles & Sons.
Name of creator
Administrative history
The exact start date of the business is unknown but it is thought that it began around 1861.
Repository
Content and structure area
Scope and content
These numbered volumes contain newspaper clippings and handwritten notes, and are arranged by theme. Titles include actors, glass painting, oil and china painting, cloud waves and glossary.
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Open
Material is available subject to the usual terms and conditions of access to Archives and Local History collections.
Conditions governing reproduction
Images are supplied for private research only at the Archivist's discretion. Please note that material may be unsuitable for copying on conservation grounds. Researchers who wish to publish material must seek copyright permission from the copyright owner.
Language of material
- English