Millicent Price's grandfather was Henry Wilberforce, a gentleman farmer in the locality, thought to be related to the famous William Wilberforce. Her mother was Ellen Phyllis Browne, married to Walter Browne, a struggling actor/playwright. They lived in London, where Millicent was born (probably in the early 1880s). Her mother left her father (they were later divorced) when Millicent was 3 years old and returned to her native city of York.
Millicent lived with her mother and 2 sisters, Edith and Ella at 34, Lawrence Street, a 3 storey house opposite the Poor Clares Convent until 1895 when they moved to "River View" overlooking the Ouse next to St. Mary's Abbey.
Millicent attended Castlegate College, Clare College, Micklegate and Priory Street Higher Grade School before going to Swansea Training College (Wales) to train to be a teacher. Following this she lived in Leeds for a time teaching at Beeston School and then at Park Lane School before returning to York in 1904 where she taught at the "newly built" Scarcroft School.
The York Conservation Areas Advisory Panel was set up in May 1969 and is empowered to advise the Local Planning Authority, through its Planning Committees, on the effect various proposals referred to it by the planning department may have on the character or appearance of listed buildings and designated conservation areas. Although it is serviced by Council Officers, the Panel is not regarded as a Council Committee. Its decisions are advisory in nature and cannot be construed as legally binding on the Council or any other organisation.
Membership of the Panel consists of appropriately qualified professionals and individuals nominated by York Civic Trust, York Georgian Society, Yorkshire Architectural and York Archaeological Society, Royal Institute of British Architects, Yorkshire Philosophical Society, York Guild of Building and two individuals nominated by City of York Council.
The Panel meets at regular intervals throughout the year and keeps minutes of those meetings.
York Musical Society
The firm of Gray's Solicitors has existed in York since the 17th century. William Gray (1) was the son of a Hull customs officer. He became a solicitor in York. His two sons, Jonathan (b. 1779) and William (2) (b.1785) followed him into the legal business and the firm of Grays, as did Jonathan's son, a third William Gray (b. 1805), and his son, Edwin (b.1847)
In 1843, the second William Gray was at the helm of the firm, which was located at 75 Low Petergate (it had previously been 'Thorpe and Gray's)
William Henry Cobb was born in York around 1839. He became a freemen of the city in 1860, and by 1872 had set up his own solicitor's firm at 19 Blake Street. The firm was known as W.H. Cobb and Son, and given that his son, Cecil was a law student at the time he became a freeman in 1892, it is likely that he joined his father in the business around this time.
Ernest Ralph Dodsworth was the son of Benjamin Dodsworth, a York surgeon. He was born in 1859, and became a freemen in 1883. That year, he set up a solicitors firm on New Street. By 1885, Dodsworth had become a partner in the firm of Gray's Solicitors, which at the time was under the third William Gray and his son Edwin.
In 1897, the combined firm of Gray and Dodsworth relocated from 75 Low Petergate to Duncombe Place. The firm of W.H. Cobb and Son, at 19 Blake Street, remained there until 1939. By the time of the next published City Directory (1949-1950), the Cobb in charge of the firm (likely the son of Cecil Henry Cobb at this point) had become a partner in the firm of Gray and Dodsworth, which then became Gray, Dodsworth, and Cobb, which it remained until at least 1975.
The Huntington Good News Association was founded at a public meeting in 1977. The organisation was established to create a group of volunteers who could held those living in and around Huntington who needed support, including tasks such as taking people to hospital appointments, collecting and delivering shopping, running a lunch club, and picking up prescriptions.
During its years of operation, the group remained solvent and received grants for their work, including from the City Council, Parish Councils, the York Common Good Trust, the Norman Collinson Charitable Trust, and the Joseph Rowntree Foundations.
The decision was taken to close the organisation in July 2021. Many of the functions of the group were being carried out by other organisations, and it was felt that the Covid-19 pandemic made it difficult to continue operating as they had been.
The York Society of Magicians was founded in 1945 by the then Lord Mayor of York, Harold Chapman de Bourg. De Bourg was a magician and wanted to establish a magic society in York to meet likeminded people. De Bourg invited other amateur magicians to Mansion House, where the inaugural meeting of the Society was held on 8th March 1945. At that first meeting the York Society of Magicians was established.
The society’s first headquarters were in the Rechabite building and then afterwards Middleton House in Monkgate.
The society started its ‘Night of Magic’ shows at the Joseph Rowntree Theatre in 1951, which were held annually until 1987. The Society’s other activities include annual dinners, and monthly meetings where members discuss magic and share magic tricks.
The society includes amateur magicians, hobbyists and professionals. In some periods the society has had an active junior department as well as an adult society.
The Black Swan Folk Club was formed in September 1979. It meetings at 8.15pm every Thursday night at the Black Swan pub, Peaseholme Green, York, and offers a range of resident musicians and perfomers, formal concerts and guest singers. From the 1980s until 2019 the club was run by Roland Walls. Since 2001 the club has also held larger concerts of bigger name performers in the National Centre for Early Music, Walmgate, and the Crescent Club.
In 2020 the club posted weekly 'Virtual' sessions on YouTube during the coronavirus lockdown.
Walls; Roland (1954-2019)
William White was born on 10 June 1744 in Castlegate, son of Timothy White, linen draper, and Marta his wife, both Quakers. Although no records have been found, it is possible he started his training with the Quaker apothecary Benjamin Bartlett, Jnr. in London. As a non-conformist he would not have been eligible to attend Oxford or Cambridge universities but many English doctors at that time travelled to Scottish universities for medical training.
In 1765-6 White attended Edinburgh where he joined the Medical Society of Edinburgh and matriculated in 1766. From at least 1768 he was back in York, once again living in Castlegate, and working at the County Hospital. When he registered as a freeman of the City of York in 1771 he did so as the son of a York freeman and an apothecary. To complete his training he attended the University of Leiden in 1775 graduating Medicinae Doctor with a thesis on ‘recurrent fever’. On returning to York he resumed work with the County Hospital and then the York Dispensary. White’s approach to medicine was also scientific as he carried out experiments and ‘observations’ that were published as books, in privately printed articles and in medical and scientific journals. Two of his articles were published in the Philosophical Transactions of the Royal Society. He died aged 45 on 28th October 1790 from consumption, one of the diseases he had been researching. His observations on this topic were published posthumously in 1792 by his friend and colleague Dr Alexander Hunter.
Of particular interest to York local researchers is White’s ‘Analecta Eboracensia’ or Memorandum Book’ (WHI/1). The greater part (21 pages) covers the period 26 January 1782 to 21 September 1785 with follow up items by his Quaker friend, the printer William Alexander. The 50 entries by White focus on improvements to the city streets and buildings, local, regional and national political events and the weather, including York’s perennial problem of flooding. Most interesting and useful to local historians are the depictions of streets – Castlegate, Castlegate Postern Lane, Coppergate, Fishergate, approach to Fishergate, ‘Road to Fulford’, High Ousegate, Hosier Lane, Low Ousegate, Nessgate, Ousebridge, Pavement and Spurriergate. What is exceptional is that they delineate individual buildings with the names of their occupiers or owners. The plans in the Memorandum Book are somewhat roughly drawn but a ruler-drawn or ‘neat’ copy also survives (WHI/2). Photographs of these neat copy maps can be found in PHO/2/111 and PHO/3/1835. There is no indication who drew the neater version.
For further detail see: ‘Dr William White (1744 - 1790) of Castlegate, ‘a Physician of considerable talent’. Sylvia D. Hogarth. York Historian 2007, vol.24, pages 19-36.
The York Philharmonic Male Voice Choir was founded in York in 1925, by a group of men from the Leeman Road Adult Boy’s Club. They came together out of a love of singing, rehearsing in the front parlour of a house on Leeman Road. The founding members sought the direction of conductor Cecil H. Fletcher, and over the next ten years Fletcher oversaw the growth of the choir to over fifty members.
The choir experienced a severe decline in membership as a result of the World Wars, followed by the death of conductor Fletcher. The choir survived this period, becoming informally known as the Cecil H Fletcher Memorial Choir into the 1980s.
Sefton Fearne took over as conductor, and worked to rebuild the choir following the drop in membership. In 1950 Fearne retired due to ill health and was succeeded by Archie W. Sargent.
Sargent retired in 1962 and was succeeded by Richard B. Lister. In 1962; with Robert Patterson, then curator at York Castle Museum; Lister helped initiate the first the ‘Carols in Kirkgate’ concert, which raised money for the Lord Mayor’s Christmas Cheer Fund. The York Philharmonic Male Voice Choir performed at the first ‘Carols in Kirkgate’ event, which continued for over fifty years.
In 1968 the choir formed a relationship with Münsterscher Männergesangverein (Münster Male Choral Society), a choir from York’s twin city Münster, in Germany. The choirs have done multiple visits to each other’s respective cities.
In 1972 the choir became a registered charity, to help improve public knowledge of the choir, and to help the choir to support other charities through their performances.
Richard B. Lister stepped down as Musical Director in 1980, at which point David Keeffe took over the role. Subsequent Music Directors also include Richard Bowman, Margaret Martin, Ian Colling and Berenice ‘Berry’ Lewis.
As well as performances and charity concerts, the choir have historically competed in competitions across Britain and Europe.
The Yorkshire Philosophical Society (YPS) was founded in 1822. In 1828 part of the grounds of St Mary's Abbey was given to the Society by royal grant and on this site the Yorkshire Museum was built in 1829. The museum was built to house the members collections and also created a botanic garden. In 1961 the Museum and its gardens were handed over to the City of York in trust. In 2009 the Yorkshire Museum and Gardens Charity (YMAG) was established by the YMAG Trust, the City of York Council and the YPS.
In the course of their work, the YPS collected original archive material, some of which has been deposited in the city archive in York.
George Walker Milburn, master woodcarver, stonemason and sculptor, was born in Goodramgate, York on 17 June 1844. He was the eighth of ten children of Lionel Altimont Milburn, a York tailor, and his wife, Elizabeth Clapham, of Gainsborough, Lincolnshire. Little is certain about George's childhood years but, in his early teens, he was apprenticed as a woodcarver to William Alfred Waddington, 'Pianoforte Manufacturer', who was based at 44 Stonegate, York. He attended York School of Art where he won several medals and awards. A head modelled by Milburn so impressed the sculptor Thomas Woolner RA that he offered the young student the opportunity to study with him, but Milburn felt obliged to decline as he had already commenced his apprenticeship. In 1865, having completed his woodcarving studies, George went to London to study stone-carving with Samuel J. Ruddock. While there he exhibited a medallion of the stained-glass artist Charles Hardgraves at the Royal Academy of Art.
George returned to York around 1872 and set up his own stone yard at 53 Gillygate. One of his first commissions was for the architect George Edmund Street on the massive project to restore the South Transept of York Minster. Street employed the young carver to execute a large portion of the decorative stonework on the interior and exterior during the eight years of restoration (1872-80). Street was sufficiently impressed by George's artistry that he took him to Corfe Castle in Dorset to work on St James' Church at Kingston, the church described as 'The Jewel of the Purbecks'. In addition to Street, George worked with many other leading architects of the Victorian and Edwardian era including Sir George Gilbert Scott, Charles Clement Hodges, Charles Hodgson Fowler, and Walter H. Brierley.
In 1885 George Milburn won the competition to execute a statue to commemorate George Leeman MP, three times Lord Mayor of York and a dominant figure in 19th-century York politics. Some felt that George had insufficient experience to execute the work and the controversy rumbled on in the York newspapers for many months. He took an enormous financial gamble, signing a potentially punitive contract with York City Council which would have ruined him had he failed. But the gamble paid off and York's first public statue established him as a sculptor in addition to his already established reputation as a stone- and woodcarver.
About this time, George moved his stone yard to St Leonard's Place at Bootham where it would remain for more than 50 years. He would go on to be awarded commissions for a statue of Queen Victoria for the Guildhall and a statue of William Etty which stands in Exhibition Square. While the Victoria statue also caused rumblings of discontent in the press, it was less to do with the choice of sculptor than with political squabbling over whether a statue was the correct form of memorial with which to honour the late Queen. On its completion, the statue received widespread praise. When unveiled by the Queen's daughter, Princess Henry of Battenberg, she broke with protocol and shook the sculptor's hand.
George left a large body of work, ecclesiastical and secular. He carved almost 50 memorial crosses and executed works for more than 150 churches. A small sample of his stone-carving includes the impressive Boer War Memorial Cross at Durham Cathedral; the Bede Cross at Roker, Sunderland; the statues for the elaborate Reredos at St Aidan's Church, Bamburgh; the Reredos at St Peter-at-Gowts, Lincoln; and multiple pulpits and fonts including St Barnabas' Church in York, St Aidan's in Hartlepool, and All Saints in Lincoln. His woodwork, equal to though less recognised than that of Robert Thompson, can be seen in the tracery panels for the magnificent double organ at Howden Minster, the organ screen for St Helen's Church at Escrick, the chancel screen at Melton Mowbray and the beautiful reredos in St Benet's Chapel at Ampleforth Abbey.
His mastery of both stone- and woodcarving can be seen at St Thomas' Parish Church at Stockton-on-Tees where he sculpted the large stone cartouche over the east window and the elaborate oak bench ends in the choir, and at St Andrew's Church at Bournemouth in Dorset where he carved the delightful oak figures for the choir, six stone statues and a beautiful alabaster reredos of the Annunciation. His works for private houses included Hawkstone Hall, Shropshire; the chapel at Hatfield College, Durham; Dunollie Hall, Scarborough; Carlton Towers, East Yorkshire; Gray's Court, York; the renowned Arts and Crafts-style house, Goddards, York; and the chapel at Castle Howard.
While his works were predominantly in Yorkshire and the North-East of England, his work can be found throughout the country, from Bournemouth in Dorset to Edinburgh where he carved the statue of John Hunter on the façade of the National Portrait Gallery. Although the Scottish sculptor James MacGillivray Pittendrigh has been credited with the latter, it was George Milburn who sculpted the statue from a miniature by Pittendrigh. Works can be found in almost 20 counties throughout the UK including Lincolnshire, Kent, Shropshire, Durham, Northumberland, Tyne and Wear, and Norfolk.
In York alone the list of his works includes the William Etty, Queen Victoria and George Leeman statues and works for York Minster, York Art Gallery, York Explore Library, St Barnabas' Church, St Chad's at Knavesmire; St Olave's Church, St Wilfrid's Church, Holy Trinity Church, All Saints Pavement, Barclays Bank, Beckett's Bank, Jacob's Well in Micklegate, St Sampson's Church, St Andrew's Church at Bishopthorpe, Fulford Church and many others. He found time in his busy career to make a positive contribution to some of York's many societies; he was a member of the York Philosophical Society, an active supporter of the York School of Art and a frequent lecturer.
In his private life, he was a practising Catholic – although he seems to have had a relaxed attitude about the strict adherence to church rules; his first marriage, to Ellen Ward, was at St Wilfrid's Church; his second, to Isabella Fletcher, took place at St Olave's Church in Marygate. Like many Victorians, he suffered a series of family tragedies; his first child, Lionel, died at the age of one; his first wife, Ellen, died of TB in 1885 at the age of 28, shortly after giving birth to their fourth child, Norah; Norah herself died one year later. In all, of five children in his two marriages, only two survived into adulthood. His second marriage, to Isabella Fletcher, in 1888, lasted until her death in 1924. With his son, Wilfrid Joseph Milburn, the two worked as G.W. Milburn & Son from the stone yard at St Leonard's Place.
George had an exceptionally long career, working well into his eighties and living through enormous changes in his native city. Born in the seventh year of Victoria's reign, when Sir Robert Peel was Prime Minster and York a city with a population of barely 40,000, his work straddled two centuries and honoured the dead of two wars: the Boer War and the First World War. During his lifetime the population of York expanded to more than 123,000 inhabitants. Few others can claim to have lived and worked continuously in one city through a period of such enormous change. He died in York City Hospital, Huntington Road on 3 September 1941.
His importance to York can be gauged by the judgement of his fellow artists and peers. John Ward Knowles, the renowned York stained-glass artist, was of the opinion that for many years stone-carving in York had been 'confined to the works of ornamental sculpture' until 'the higher branch of the art was again resuscitated by George Milburn'. Street reportedly called him 'the best Gothic sculptor in the country' and Knowles felt that, in stone-carving, George 'stood pre-eminently in front of his confrères'.
More than 270 of George Milburn's works survive but this master craftsman has not received the recognition that he deserves, and most of his extant works remain uncredited, overshadowed by others, such as Robert Beall of Newcastle or Thompson of Kilburn, or even incorrectly ascribed to others.
The company was founded in 1891 by Thomas Dick and dealt as a general wholesalers and wholesale stationers. In 1906 they were located at 22 Railway Street, and by 1968 they are listed at 19-25 Railway Street.
The business sold 'virtually everything' except food and clothing, and had a strong stationary element in the goods they supplied. The sales ledger indicates that they sold goods to many of the corner shops around York.
The company is listed as a Wholesale Stationer in trade directories, and is occasionally listed as Dick Bros. Ltd and Minnie Dick Ltd. The company is listed in the trade directory for 1968, but not for 1969. From 1968, the York Co-operative Society Ltd. is listed at 21 Railway Street (later George Hudson Street).
The first entry of a coroner in York dates from 1229, and there were three in 1279 and the 1630s. Though appointed and salaried by the corporation, the coroner is an independant official, ultimately responsible to Crown and Lord Chancellor. In 2019 the office of the City of York Coroner moved from York to Northallerton to co-locate with the services of the North Yorkshire Coroner. At present the two offices are still functionally separate.
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The St Leonard's Original Walkers was a rambling group founded and run by staff of the City of York Council Engineer's Department, also described as the City Planning Department and later the City Architect's Department.
The group was founded by four members of staff who, after completing the Lyke Wake Walk, wished to continue a walking club. The group was formed in 1972, with their first event being to participate in the White Rose Walk. After this event, regular walks took place roughly once a month.
Thomas Morley operated a linen draper in York between at least 1804 and 1833. In 1833, he is listed as selling his property at Minster Gates where he had been conducting his business. Entries in his account book continue to 1839, however it is unclear whether these represent a continuation of the linen draper business, or the collection of debts and investments of capital only.
Ernest Johnson was the manager of St George's cinema, Castlegate, York during the 1930s and 1940s. In 1937, he was the manager of the Picture House cinema, York. He served in Egypt during WW2 as a RAF flight lieutenant, returning to York in 1946 as manager of St George's cinema, Castlegate, York. He was later assistant manager of Associated Tower cinema, Leeds. He died in York in 1999 aged 88 yrs.
Leonard Birch was a builder and a citizen of York. He administered the estate of a Mrs Keys.
Members of the Aitken family lived in York from 1576. Henry Martin Aitken b. c1815. Married Elizabeth Atkinson in 1843. Died 1874.
Elizabeth Aitken was born c. 1823 and died c.1896.
Their children included: Lydia (1844-1879), Rose (b. 1849), Henry Horatio (b. 1853), Violet (1857-1888), Edith (1861-1941), Elizabeth Mary (c. 1864-1870), Robert (1866-1876), and Charles (b. 1869-1936).
The family lived in the Bishophill area of York during the period covered by this collection. Henry Martin Aitken was a surgical instrument maker.
Henry Horatio Aitken was a glass manufacturer with a business at 29 Micklegate.
Charles Aitken was Director of the Whitechapel Art Gallery from 1901 - 1911. In 1911, he became Keeper of the Tate Gallery, and was it's first Director from 1917 - 1930.
Harry Aitken (Henry's son) became a dentist in Newcastle. The Aitken family travelled around England and Europe, and many of the letters in this collection refer especially to their travels to Neuwied, Germany, and Rotterdam.
Henry Horatio Aitken married Annie Amelia Brown. They had a son, Henry George Aitken (b. 1877) who was known as 'Harry' in the family.
At least two generations of the Loadman family ran a shop initially at 5 College Street, then at 37 Stonegate and at Minster Gates, York, as a dealer in antiques, old china, furniture, and curios.
The shop was started by Thomas Loadman between 1871 and 1881, and operated until at least the 1950s. Thomas Loadman was born in Helmsley in 1819 as the son of a brewer. He married Jane Sollitt in 1845 in York. Thomas Loadman worked as a gas inspector for most of his career and appears to have opened the shop as a dealer in old china alongside this role later in life with the support of his wife and children. Several of his children helped to run the shop and continued to run it after his death. This includes: Margaret Elizabeth Loadman, born 1847, who moved the shop to Stonegate after Thomas Loadman's death; Eugene Loadman, born c 1865; and Herbert Myers Loadman, born c 1873.
Quarter sessions were generally formed from the 16th century onwards. Courts were held four times a year and presided over by the county magistrates. Anyone with a grievance could complain regardless of their social standing. The courts were heard by magistrates and dispensed summary justice (i.e. without a jury). Higher level crimes were heard by the assize courts. Many types of cases were referred to the Police Courts during the 19th century but Quarter Sessions continued to sit as criminal courts for non-capital offences until 1971.
The general records of Quarter Sessions include Sessions Minute Books (the summaries of the events of each session), sessions rolls (the evidence presented for each case) and order books (the decisions of the court on every item of business).
See Also - York Subscription Library
First listed in Kelly's Directory of York in 1896-1897 as R.B. Mills, auctioneer and emigration agent, 16 Stonegate. By 1900, the business is listed as Richard Bell Mills, valuer and ocean passenger agent, Minster Gates.
R.B. Mills occupied 7 Minster Gates as a travel agency, variously described as an ocean passenger agent, a shipping agent, and a tourist agent, until at least 1975, but appears to have stopped trading by 1985.