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Plates of Theophilus method of drawing cartoons on whitened board. Two plates - 1 ) photograph of wooden table with board on top, cartoon etched into board, pieces of glass ready to be joined together next to it; 2) image of cartoon etched out - bound male figure with crown and halo, being whipped by two other male figures.

Plates of a 16th century design for a stained glass window in National Gallery of Scotland. Two plates - same image of engraved, multi-panel design for large stained glass window depicting crucifixion, descent, resurrection.

Four plates: photos of different portions of stained glass window, multi-panel. All plates moderately to severely faded. 'Left Hand' written in ink on panel one. Glue stains on panel two. Early stages of separation on panel three.

Different photos of sections of stained glass window. Both plates faded and discoloured, one liquid-stained.

Different images of stained glass panels - crowd scenes.

Stained glass window with several crests, including the Yorkshire rose as in KNO/24/848. 'Honi soit qui mal y pense' is written around three of the crests.

Marked as 'before restoration.' One glass plate negative and one transparency. Glass plate depicts stained glass coat of arms, fractured, with part of border missing. Transparency depicts same coat of arms, restored.

Plates 1 and 2 depict same image of four lights with male saints and kings in the upper parts, family crests and praying figures (donors?) below. Plate 3 shows four lights of a stained glass window, depicting Jesus, St Peter, and two other male saints, and possible donor figures at prayer below. Plate 4 shows four lights depicting St George, and St Christopher carrying the Christ child, with family crests beneath. Plate 5 shows four lights of a stained glass window depicting St Peter and three others (St William?) and family crests below.

Reproduction from The Antiquary magazine, entitled 'On English Medieval Window Glass', detailing new research and methods of colouring glass during the medieval period.

Bundle of printed music sheets, primarily printed in York, as well as handwritten notes by J W Knowles on the subject of music in the city.

All handwritten notes about theatres.

Research notes compiled by a local researcher, relating to premises owned or supported by the Knowles family:
'The Sign of the Bible', Stonegate;
Stonegate warehouse;
Coffee Yard;

Grape Lane Chapel and
Stonegate.

Three blocks - one showing the entire east window and two showing details of panels.