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Exterior of church - figures in late 19th/early 20th century dress and horse-drawn cart in foreground.

Circular panel of stained glass depicting the devil and a woman on horseback. Medieval.

Image of parts of two stained glass window, showing seven female figures at prayer (donors?) and coats of arms.

Photo of interior of cathedral - stained glass windows, pews, statue.

Image of circular stained glass panel with four sections within it, depicting events from life of saint(?). Medieval.

Circular stained glass panel with quadrants depicting events from life of a saint or visitors to a shrine. Medieval.

Close up image of a quadrant of stained glass panel [from KNO/24/837], depicting two male figures - one with cloth or a scroll. Medieval.

Close up image from a stained glass panel with two figures, male and female. Medieval.

Magnified image of degraded stained glass.

Magnified image of degraded stained glass.

Originally labelled 'Vergers', the bundle contains one handwritten covering note and 10 photographs, presumably of the Minster vergers. Also includes one newspaper cutting dated 1908 regarding Mr Herbert Stansfield being appointed junior verger at the Minster.

Loose newspaper cuttings which had not yet been bound into volumes.

Includes newspaper cuttings and handwritten notes, primarily relating to church bells in York (including those of York Minster).

The letterbook is interspersed with handwritten notes by J W Knowles relating to stained glass and glass painters, as well as newspaper cuttings and copies of printed articles. Also includes a small volume entitled 'Index to glass painters.'

The list of works is arranged alphabetically. Also includes a newspaper cutting dated 20 May 1912 regarding the business of J W Knowles and Sons.

The drawing appears to be of panelling in the old council chamber, showing the names of various council dignatories.

Bundle of printed music sheets, primarily printed in York, as well as handwritten notes by J W Knowles on the subject of music in the city.

Colour photo of no. 9 window from Fairford Church, Gloucestershire, showing the Ascension of Christ and Pentecost. Reverse blank.

Colour photo of stained glass window depicting no 15 window from Fairford Church, Gloucestershire, showing St Michael weighing souls on Judgement day. Reverse blank.

Black and white photo of the Rose Window at Notre Dame. Reverse blank.

Black and white photo of stained glass window from Le Mans, depicting St Anthony and St Paul. Reverse blank.

Black and white close-up photo of a stained glass window from Le Mans, depicting the head and hand of a male saint. Reverse blank.

Black and white close up photo of a stained glass window from Le Mans, depicting the head of a Bishop donor, praying. Reverse blank.

Colour photo of two stained glass window panels, depicting part of the story of the Miracle of St William. Reverse blank.

Colour photo of a panel from the Canterbury Cathedral Miracle Glass, depicting Adam the forester shot by a poacher. Reverse blank.

Black and white photo of the East Window from Windemere Parish Church, St Martins. Reverse blank.

Black and white image of stained glass window - four lights depicting different saints. Written on reverse 'window designed by F Sydney Eden' and a description of the dedication at foot.

Blank postcard with black and white photo image glued to it, depicting reproduction of engravings and poems from German book - 'Der Glasser and Der Glassmaler'. Reverse blank.

Blank postcard with a black and white photo image glued to it, depicting a drawing of a window(?) various medieval figures at work or play across six panels with spaces for scrolls and shields, including image of glazier's workshop from KNO/24/1891. Reverse blank.

Blank postcard with black and white photo image glued to it, of a circular panel of stained glass, depicting the Last Supper. Reverse blank.

Blank postcard with black and white photo image glued to it, depicting close up of donor window from St Denys, York - top half of Robert de Skelton presenting his own donor window. Reverse blank.

Blank postcard with black and white image glued to it - part of stained glass window, depicting kneeling young male donor figures in decorative armour. Piece of paper stuck as a flap over image. 'Local Fashions in Costume, Thomas de St Quentin, Harpham 1420' written on paper. Reverse blank.

Blank postcard with black and white image glued to it - stained glass window, depicting St Mary Cleophas, her husband Alphaeus, their children St Simon, Jude, James the Less, Joseph Justus. Flap of paper glued to postcard, with handwritten notes: 'Holy Families, Typically Local Subject, costume, armour' and a quote from Chaucer's Wife of Bath - 'When can be seen in any manner age, that high God defended marriage, by express word, I pray you telleth me, on where commanded he virginitee?' Reverse blank.

Blank postcard with black and white image glued to it - part of stained glass window depicting St Christopher carrying the Christ Child. Reverse blank.

Blank postcard with black and white image glued to it - line drawing of medieval stained glass window borders, depicting man with horse; woman chasing fox(?) with goose in its mouth; monkey with bird. Flap of paper stuck to card reading 'Fox runs away with the goose. North Side of Nave York Minster. Also in miseire seat, Ripon Minster'. Reverse blank.

Blank postcard with black and white image glued to it - three panels of stained glass window (subject unclear). Reverse blank.

Blank postcard with black and white image glued to it - part of stained glass window depicting two kneeling young male figures (donors?). Reverse blank.

Blank postcard with black and white image glued to it - line drawing of glassmaker's workshop. Reverse blank.

Postcard of stained glass from Le Mans, depicting St Gervais and St Protais, standing , beside figure with hammer. Reverse blank.

Two more lights of no. 2 stained glass window from Lady Chapel, Liverpool Cathedral, depicting more 'notable women': Charlotte Stanley, Angela Burdett-Coutts, Queen Victoria and Catherine Gladstone. Reverse blank.

Two lights of no. 3 stained glass window from Lady Chapel, Liverpool Cathedral, depicting 'notable women': Christina Rossetti, Margaret Beaufort, Elizabeth Barrett Browning, Anne Clough. Reverse blank.

Two lights of no 2 stained glass window from Lady Chapel, Liverpool Cathedral - two female saints. Reverse blank.

Black and white image of stained glass window from Valleyres-sous-Rances, by Clément Heaton, 1911 - the women at the tomb at the Resurrection. Reverse blank.

Black and white image of medieval stained glass: The Virgin Enthroned, from the Victoria and Albert Museum. Reverse blank.

Black and white image of stained glass window, depicting three angels appearing to Abraham, from St Etienne-du-Mont. Reverse blank.

Black and white image of a stained glass window, from St Etienne-du-Mont. Noah's Ark in background of window, 'the Vessel of Religion' in foreground. Reverse blank.

Black and white image of stained glass window panel from Chelsea old church - robed figure and decorative border. Reverse blank.

York Trinities in the South West Window.

Jesse Window. Blessed Virgin and child and King David.

Angelic hierarchy window, showing Seraphim and thrones.

Corpus Christi figure. On acetate.

Figure of donor. On acetate.

East window: head of St Anne. On acetate.

Incredulity of St Thomas window: figure of Our Lord. On acetate.

Corporal Acts of Mercy window: receiving the stranger and visiting the prisoners. On acetate.

West window, south aisle. On acetate.

South aisle, choir, York Minster. Complete window.

South aisle, choir, York Minster. Complete window.

Trinity Panel.

Corpus Christi, east window.

Three windows with thick black borders, Chancel (third from east0.)

Wildfowling.

Reproduction from an arts catalogue, showing images of glass.

Showing canopy treatment similar to stained glass.

Fox preaching, from a carving on the capital of the Minster. Taken from Browne's history.

Photo image of a circular stained glass window, with 'STAINED GLASS is NOT a 'Lost Art'' scratched into it.

Showing painted panel with coat of arms.

Showing a group photo of seven people, taken outdoors.

Marked 'since removed.' Four photographs, cut to shape - tracery panels of stained glass windows depicting various saints and monarchs.

Photograph of part of a window in St Martin-le-Grand, Coney Street, depicting St Martin dividing his cloak with a beggar.

Photograph of part of the West Window in St Martin-le-Grand, depicting Enthroningation(sic) of St Martin as Archbishop.

German colour drawing of St Maximilian, with biography in German on the reverse.

Slides showing the techniques and tools used in stained glass window making. File includes nos. 155, 156, 160, 161, 167, 183, 187, 188, T.335, and three unnumbered slides.

HT.1 William of Wykeham window 15th century. P.92 West window by Sir Joshua Reynolds 1779-85.

Stained glass designs. S.50 Salisbury Cathedral: detail of grisaille from a drawing.

Malvern Priory, general view, Lady Chapel.

13th century stained glass from the Sainte Chapelle, Paris.

Ascension window (T.483), unspecified window (T.485).

Set of slides showing: no.2 unidentified; no.22 unidentified; no.26 unidentified; no.30 unidentified; no.31 stained glass with inscription to Jacob Sulger ?1670s; no.37 cartoons used twice, Vaudes, Aube Madeleine, Troyes; no.38 cartoon cut in two so as to miss the central figure, Vaudes Aube; no.59 window, north aisle, Nostell Church; no.71 extract from ordinances of the York glass painters 1463-64; no.81 (K) two Bishops thrown into Hell, Bourges Cathedral; no.82 (K) Monk first into Heaven, Bourges Cathedral; no.91 unidentified; no.100 St William Window, York Minster c.1421.

The window dates from 1537 and includes the name Hans Wichrer.

The panels could be from the Great East Window at York Minster.

Judging by the use of abbreviations and marks, the text is likely to be medieval in origin.

The image depicts a family with a crib.

The images are possibly of saints, and could be taken from etchings. The images themselves are very faded.

The image itself is quite difficult to make out.

Originally held in a box marked 'Knowles Wooden box plates 28.'

Originally held in a box marked 'Knowles Wooden box plates 28.'

There is damage to all plates on one edge. Originally held in a box marked 'Knowles Wooden box plates 28.'

Originally held in a box marked 'Knowles Wooden box plates 28.'

Originally held in a box marked 'Knowles Wooden box plates 28.'

Originally held in a box marked 'Knowles Wooden box plates 28.'

Marked 'Hayes and Finch, price £1.15.0.'