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The plates depict three different sections from the Te Deum window.

Two plates show the same image of Christ preaching, surrounded by disciples; the third shows a different image of Christ preaching surrounded by disciples.

Different sections from medieval stained glass window depicting scenes from life of Christ. Medieval.

Medieval window showing figures in a church with angels above, Latin scroll.

Medieval window showing Jesus surrounded by worshippers, one with mitre and staff, many tonsured. Lamb(?) kneeling at bottom centre of image. Latin scroll.

Medieval window showing figures in a church, angels, scroll with Latin writing on.

Comparative list of household accounts of J W Knowles between 1856 and 1866.

Circular stained glass depicting mocking of Christ, early modern(?).

Photo of circular stained glass [depicting the Last Supper?] 'In possession of Frank Green York' inked on the plate.

Negative of medieval(?) stained glass showing scenes from the life of Christ.

Stained glass image of a saint, with trees on a riverbank in background.

Wildfowling and stencilled background.

Reverend Deane, Harswell.

Image of a stained glass sundial.

Section of stained glass showing medieval male figure and sun with human face (as in KNO/24/452), captioned 'All Saints Church North Street, York, from drawings by Miss Mabel Leaf'.

Reproduction of an image of the window showing medieval(?) male figure and sun with human face. Captioned 'From drawings by Miss Mabel Leaf'.

Image of four ships at sea: one with sun on the sail, captioned 'Richard II returning from the expedition to Ireland. MS Hart 1319'.

Six different images of Nativity scene: Mary, Joseph and Jesus in stable, with a donkey and sheep in the background. Mary touches Jesus's face. Six plates. Blessed Virgin Chucks Divine Infant under chin, from Oidtmann. Rheinischer Glasmalereien.

Full image of a stained glass window, numbered No.8706, labelled ERVY (Aube) at bottom. Scenes from life of Christ (w crucifiction at top left?).

Reproduction from a French book, showing four panels of a stained glass window, captioned 'Vitrail d'Ervy'.

Reproduction from a French book showing several panels depicting various Biblical scenes (?) and text. Subjects are prophets and Sibyls. From Biver: Mode d'Emploi des Cantons pour les Peintres Verriers au XVI siecle.

Shows dining room ceiling of Fairfax House, referred to in these records as George's Hall. Lantern slide.

A sign for 'Thompsons Refreshment Rooms' and 'Thompsons Beds' is visible. There are also figures in the street and horse and carriages. Lantern slide.

Head of infant Jesus with hand raised in benediction gesture.

Labelled 'St.Michael Spurriergate'. Shows stained glass window in St Michael's Church, Spurriergate. Lantern slide.

Labelled 'Stillingfleet Church Porch'. This shows the southwest Norman doorway and its five orders of decoration. The door, which can be seen open here, is decorated with ironwork depicting Adam and Eve, dragons' heads, and a Viking longship. Glass plate negative.

Labelled 'Stillingfleet Church'. This shows the southwest Norman doorway and its five orders of decoration. The door is closed and decorated with ironwork depicting Adam and Eve, dragons' heads, and a Viking longship. Glass plate negative.

Labelled 'Stillingfleet Church'. This shows the southwest Norman doorway and its five orders of decoration. The door is closed and decorated with ironwork depicting Adam and Eve, dragons' heads, and a Viking longship. Glass plate negative.

Reproduction of a print, showing five fragments of stained glass, with identifying captions: arms of Archbishops Bancroft and Land, Arms of King Philip II of Spain, Arms of France and England, motto of Archbishop Cranmer. Print published by E.W. Brayley, 1806.

The exercise book contains notes on heraldry.

Includes plates showing a stained glass window border, with unknown coat of arms; bottom part of a heraldic window with coat of arms; border with Freshville coat of arms, dated 1676; and part of a stained glass window depicting three cherubs.

Decorated.

Madonna and child statue.

Illustration titled 'Standard Hill Farm' by R. Rodwell'. Page from Richmondshire by Edmund Bogg. Text mentions David of Scotland, Matilda, Robert Bruce, and Bernard Baliol. The full title of the book is 'Richmondshire: An Account of its History and Antiquities, Characters and Customs, Legendary Lore, and Natural History, Being a Companion Volume to The Vale of Mowbray'. It was first published in 1908. Glass plate negative.

Labelled 'Stamford Bridge'. The Corn Mill at Stamford Bridge. Shows the mill from the south west. Photograph taken from shore, looking towards the square. Lantern slide.

Labelled 'Stamford Bridge.' The weir at Stamford Bridge. Photograph taken from shore looking towards the weir with rooftops visible beyond it. Lantern slide.

Labelled 'Stamford Bridge'. Shows unidentified bridge (not Stamford). Lantern slide.

Bridge pictured from shore with building visible beyond it. Lantern slide.

Labelled 'Staircase Red House Marston'. In the centre of the image there is a statue of a lion. It is perched on a newel post at the top of the staircase. On the wood beneath him, the words 'Dom Fairfax' are visible. Glass plate negative.

The photograph is copyrighted to Country Life and is labelled: '6. - Staircase at the Black Swan' with caption: 'Similar work exists in Lady Peckitt's Yard, and behind Mr. Holmes' greengrocery shop in Petergate- formerly the Talbot Tavern'. Some of the article's text can be seen around the photograph. Glass plate negative.

Labelled 'Staircase Hardwicke Grange by ER Tate'. This is a detailed illustration of the staircase with a plan in the top right corner. The illustration's title is 'The Grand Staircase, Hardwicke Grange, near Shrewsbury'. It also names the illustrator as 'E. Risdale Tate, Wandsworth, London, SW' and the recipient as 'F. Bibby Esqre'. Bibby is thought to be Frank Bibby (b. 1857) who owned the property. Edwin Risdale Tate (1862-1922) was born and educated in York, and he was an architect, artist, antiquarian, archaeologist, illuminator, photographer, and graphic designer. Glass plate negative.

Two plates.

Thought to be the Five Sisters' Window NXVI 1c at York Minster. Lantern slide.

Thought to be the Five Sisters' Window NXVI 1d at York Minster. Lantern slide.

Thought to be the Five Sisters' Window NXVI 1a at York Minster. Lantern slide.

Shows stained glass window with three lancet windows. Lantern slide.

Shows stained glass window with three lancet windows. Lantern slide.

Glass plate negative

Shows the pulpit and the east stained glass windows. Lantern slide.

Labelled 'St Martin Church Coney Street Clerestory Window N. Side'. Lantern slide.

Lantern slide.

Showing nine panels and French writing.

Depicting several stained glass suns.

Window showing Christ and disciples, Thomas kneeling in front of Jesus, and the caption: My Lord and My God.

The heads show increasing levels of damage across the faces.

Cartoons used twice (with slight differences) in the same window: woman with drowned child at tomb, and woman with leprosy at tomb.

Labelled 'St William's Chapel Door from the Builder'. The illustration shows the door and surrounding archways. The Builder was a journal of architecture published in the UK in the 19th and 20th centuries. Lantern slide.

Printed etching titled 'St William's Chapel'. Caption below etching: 'Published Nov 1 1807 by J. Halfpenny York' and 'Pl. 23'. This is thought to be the chapel that was located in Micklegate next to the old Ouse Bridge.

Close up of stained glass panel, depicting St William in bishop's vestments with hand raised in Benediction (same image as in KNO/24/1761, but a nearer close up).

Close up of stained glass panel, depicting St William in bishop's vestments with hand raised in Benediction.

Medieval window - two young male figures in armour, kneeling. Background: two(?) other figures, Trefoil (and mullion?) windows. Similar composition to KNO/24/360, but more detail on belts, both figures facing ahead, one has headdress.

Medieval window. Foreground: two young male figures in armour, kneeling. Background: two(?) other figures, Trefoil (and mullion?) windows.

Medieval window - St William kissing cross held by another male figure, observed by five others. (In pencil: one contact print).

Medieval window - seven male figures and St William shaking hands with King of Sicily.

Medieval window showing St William praying in front of the Holy Ghost (in the form of a bird), observed by two other figures.

Medieval window showing St William on horseback on bridge, blessing onlookers.

Medieval window - three figures at a shrine, one (male, bearded) praying, one (male, tonsured) kneeling.

Medieval window - male and female figures, male in armour, female in elaborate headdress, kneeling. Background: two(?) other figures, Trefoil (and mullion?) windows. Similar composition to KNO/24/360 & 362, with different figure.

Depicting three adult figures (two female, one male) baptizing a baby.

Medieval window. Bearded male head in hat, surrounded by five other heads (mostly tonsured) and hands.

Medieval window. Close up of bearded male head in crown, surrounded by other figures (as in KNO/24/355).

Medieval window. Close up of head of St William, looking at bird (as in KNO/24/359).

Group of figures used in two different subjects.

Man on ladder. Also includes an image of the East Window, Great Malvern.

Showing the sick child at Shrine.

Head from window compared with head from Great Malvern, showing they were the work of the same man.

Designers stock pattern of head for middle aged man.

The image is a comparative study of the blind man cured by holy oil, and the paralyzed man cured at the shrine (panels 48 and 77).

Two figure painters employed on one window.

Two ornamental painters employed.

Unconscious repetition of the same type of head.

Repetition of pose and gesture.

Detail showing St William, shirtless in his sickbed, attended by monks and other people.