Wilkinson; Tate (1739-1803)

Zona de identificação

Tipo de entidade

Pessoa singular

Forma autorizada do nome

Wilkinson; Tate (1739-1803)

Forma(s) paralela(s) de nome

    Formas normalizadas do nome de acordo com outras regras

    • Wilkinson; Tate (1739-1803)

    Outra(s) forma(s) de nome

      identificadores para entidades coletivas

      Área de descrição

      Datas de existência

      1739-1803

      Histórico

      Tate Wilkinson was born in 1739. The son of a clergyman, he was educated at Harrow.

      His first attempts at acting were badly received, and it was to his wonderful gift of mimicry that he owed his success. His imitations, however, naturally gave offence to the important actors and managers whose peculiarities he hit off to the life. Garrick, Peg Woffington, Samuel Foote and Sheridan, after being delighted with the imitations of the others, were among the most angry when it came to their turn, and threatened never to forgive him. Garrick never did.

      As an actor, Wilkinson was most successful in Foote's plays, but his list of parts was a long one. In Shakespearian characters he was very popular in the provinces. In 1766 he became a partner of Joseph Baker in the management of several Yorkshire theatres, and married about 1768. He became sole manager after his partner's death in 1770 of a number of theatres on what was then called the Yorkshire Circuit, and he was both liberal and successful. The Theatre, Leeds, built to his order in 1771, was part of the circuit. In 1769 he took over York Theatre Royal, where he also had living quarters.

      He died in 1803.

      Locais

      Estado Legal

      Funções, ocupações e atividades

      English actor and stage manager.

      Mandatos/fontes de autoridade

      Estruturas internas/genealogia

      Contexto geral

      Tate Wilkinson was born in 1739. The son of a clergyman, he was educated at Harrow.\n\nHis first attempts at acting were badly received, and it was to his wonderful gift of mimicry that he owed his success. His imitations, however, naturally gave offence to the important actors and managers whose peculiarities he hit off to the life. Garrick, Peg Woffington, Samuel Foote and Sheridan, after being delighted with the imitations of the others, were among the most angry when it came to their turn, and threatened never to forgive him. Garrick never did.\n\nAs an actor, Wilkinson was most successful in Foote's plays, but his list of parts was a long one. In Shakespearian characters he was very popular in the provinces. In 1766 he became a partner of Joseph Baker in the management of several Yorkshire theatres, and married about 1768. He became sole manager after his partner's death in 1770 of a number of theatres on what was then called the Yorkshire Circuit, and he was both liberal and successful. The Theatre, Leeds, built to his order in 1771, was part of the circuit. In 1769 he took over York Theatre Royal, where he also had living quarters. \n\nHe died in 1803.

      Área de relacionamentos

      Área de pontos de acesso

      Pontos de acesso - Assuntos

      Pontos de acesso - Locais

      Ocupações

      Zona do controlo

      Identificador de autoridade arquivística de documentos

      GB0192-729

      Identificador da instituição

      GB0192

      Regras ou convenções utilizadas

      International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) - Ottawa

      Estatuto

      Nível de detalhe

      Datas de criação, revisão ou eliminação

      Línguas e escritas

        Script(s)

          Notas de manutenção