Identity area
Type of entity
Authorized form of name
Parallel form(s) of name
Standardized form(s) of name according to other rules
- York Musical Society; 1767-present
Other form(s) of name
Identifiers for corporate bodies
Description area
Dates of existence
History
The York Musical Society was founded in around 1767 by several York musicians including the Organist of York Minster John Camidge (1734-1803). It is the oldest musical society in England. Originally the society was quite exclusive, being limited to sixty members and was more concerned with instrumental music. The original YMS was hostile to any public awareness, and still more scrutiny, of its activities. However during the nineteenth century the YMS relented a little on this policy. Women were admitted to its anniversary concert from 1826 and members were involved in music festivals in York in 1791, 1823, 1825, 1828 and 1845. The Society also publicly sponsored at least one choral concert in 1832.
It is unknown whether the original York Musical Society folded in the early 1850s, and the gap was replaced by the York Amateur Musical Society, or whether there is a direct link between the two (there was certainly a direct connection with some individuals being committee members of both organisations). In 1873 the York Amateur Musical Society agreed to accept vocalists as members and commenced organising public choral concerts.
In 1876 the York Amateur Musical Society was reformed as the York Musical Society. The driving force behind this was the Dean of York, though links with the Minster were otherwise coincidental until 1892 when John Naylor (Minster organist since 1883) became the conductor. 'This young society' (to quote the York Herald) presented The Messiah for its first concert in December 1876 with Handel's Acis and Galatea the following April.
At the end of the 19th century it merged with the York Choral Society and with the addition of conductor Thomas Tertius Noble in 1900, membership increased to over 200. It remains a large choir to this day.
Places
Legal status
Functions, occupations and activities
A society which performs vocal and instrumental music.
Mandates/sources of authority
Internal structures/genealogy
General context
The York Musical Society was founded in around 1767 by several York musicians including the Organist of York Minster John Camidge (1734-1803). It is the oldest musical society in England. Originally the society was quite exclusive, being limited to sixty members and was more concerned with instrumental music. The original YMS was hostile to any public awareness, and still more scrutiny, of its activities. However during the nineteenth century the YMS relented a little on this policy. Women were admitted to its anniversary concert from 1826 and members were involved in music festivals in York in 1791, 1823, 1825, 1828 and 1845. The Society also publicly sponsored at least one choral concert in 1832.\n\nIt is unknown whether the original York Musical Society folded in the early 1850s, and the gap was replaced by the York Amateur Musical Society, or whether there is a direct link between the two (there was certainly a direct connection with some individuals being committee members of both organisations). In 1873 the York Amateur Musical Society agreed to accept vocalists as members and commenced organising public choral concerts. \n\nIn 1876 the York Amateur Musical Society was reformed as the York Musical Society. The driving force behind this was the Dean of York, though links with the Minster were otherwise coincidental until 1892 when John Naylor (Minster organist since 1883) became the conductor. ‘This young society’ (to quote the York Herald) presented The Messiah for its first concert in December 1876 with Handel’s Acis and Galatea the following April. \n\nAt the end of the 19th century it merged with the York Choral Society and with the addition of conductor Thomas Tertius Noble in 1900, membership increased to over 200. It remains a large choir to this day.
Relationships area
Access points area
Subject access points
Place access points
Occupations
Control area
Authority record identifier
Institution identifier
Rules and/or conventions used
International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) - Ottawa
Status
Level of detail
Dates of creation, revision and deletion
Language(s)
Script(s)
Sources
http://www.archbishopofyork.org/pages/york-musical-society.html#sthash.9nyct55L.dpuf; notes by Malcolm Chase, researcher.