Área de identidad
Tipo de entidad
Forma autorizada del nombre
Forma(s) paralela(s) de nombre
Forma(s) normalizada del nombre, de acuerdo a otras reglas
- York Musical Society; 1767-present
Otra(s) forma(s) de nombre
Identificadores para instituciones
Área de descripción
Fechas de existencia
Historia
The York Musical Society was founded in around 1767 by several York musicians including the Organist of York Minster John Camidge (1734-1803). It is the oldest musical society in England. Originally the society was quite exclusive, being limited to sixty members and was more concerned with instrumental music. The original YMS was hostile to any public awareness, and still more scrutiny, of its activities. However during the nineteenth century the YMS relented a little on this policy. Women were admitted to its anniversary concert from 1826 and members were involved in music festivals in York in 1791, 1823, 1825, 1828 and 1845. The Society also publicly sponsored at least one choral concert in 1832.
It is unknown whether the original York Musical Society folded in the early 1850s, and the gap was replaced by the York Amateur Musical Society, or whether there is a direct link between the two (there was certainly a direct connection with some individuals being committee members of both organisations). In 1873 the York Amateur Musical Society agreed to accept vocalists as members and commenced organising public choral concerts.
In 1876 the York Amateur Musical Society was reformed as the York Musical Society. The driving force behind this was the Dean of York, though links with the Minster were otherwise coincidental until 1892 when John Naylor (Minster organist since 1883) became the conductor. 'This young society' (to quote the York Herald) presented The Messiah for its first concert in December 1876 with Handel's Acis and Galatea the following April.
At the end of the 19th century it merged with the York Choral Society and with the addition of conductor Thomas Tertius Noble in 1900, membership increased to over 200. It remains a large choir to this day.
Lugares
Estatuto jurídico
Funciones, ocupaciones y actividades
A society which performs vocal and instrumental music.
Mandatos/fuentes de autoridad
Estructura/genealogía interna
Contexto general
The York Musical Society was founded in around 1767 by several York musicians including the Organist of York Minster John Camidge (1734-1803). It is the oldest musical society in England. Originally the society was quite exclusive, being limited to sixty members and was more concerned with instrumental music. The original YMS was hostile to any public awareness, and still more scrutiny, of its activities. However during the nineteenth century the YMS relented a little on this policy. Women were admitted to its anniversary concert from 1826 and members were involved in music festivals in York in 1791, 1823, 1825, 1828 and 1845. The Society also publicly sponsored at least one choral concert in 1832.\n\nIt is unknown whether the original York Musical Society folded in the early 1850s, and the gap was replaced by the York Amateur Musical Society, or whether there is a direct link between the two (there was certainly a direct connection with some individuals being committee members of both organisations). In 1873 the York Amateur Musical Society agreed to accept vocalists as members and commenced organising public choral concerts. \n\nIn 1876 the York Amateur Musical Society was reformed as the York Musical Society. The driving force behind this was the Dean of York, though links with the Minster were otherwise coincidental until 1892 when John Naylor (Minster organist since 1883) became the conductor. ‘This young society’ (to quote the York Herald) presented The Messiah for its first concert in December 1876 with Handel’s Acis and Galatea the following April. \n\nAt the end of the 19th century it merged with the York Choral Society and with the addition of conductor Thomas Tertius Noble in 1900, membership increased to over 200. It remains a large choir to this day.
Área de relaciones
Área de puntos de acceso
Puntos de acceso por materia
Puntos de acceso por lugar
Occupations
Área de control
Identificador de registro de autoridad
Identificador de la institución
Reglas y/o convenciones usadas
International Standard Archival Authority Record for Corporate Bodies, Persons and Families - ISAAR(CPF) - Ottawa
Estado de elaboración
Nivel de detalle
Fechas de creación, revisión o eliminación
Idioma(s)
Escritura(s)
Fuentes
http://www.archbishopofyork.org/pages/york-musical-society.html#sthash.9nyct55L.dpuf; notes by Malcolm Chase, researcher.